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Toyohara Chikanobu Collection

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18 Items

Background imageToyohara Chikanobu Collection: Lady Iga and the ghost of Sasaki Kiyotaka, 1886 (woodblock)

Lady Iga and the ghost of Sasaki Kiyotaka, 1886 (woodblock)
873637 Lady Iga and the ghost of Sasaki Kiyotaka, 1886 (woodblock) by Chikanobu, Toyohara (1838-1912); 33.34 x22.54 cm; San Diego Museum of Art

Background imageToyohara Chikanobu Collection: Setsugekka/Oborozuki, January 10, 1900 (ink and colour on paper)

Setsugekka/Oborozuki, January 10, 1900 (ink and colour on paper)
8599103 Setsugekka/Oborozuki, January 10, 1900 (ink and colour on paper) by Chikanobu, Toyohara (1838-1912); 32.1x21.6 cm; Freer Gallery of Art, Smithsonian Institution

Background imageToyohara Chikanobu Collection: Detail of the Arrival of the Grey Friars in Florence (fresco)

Detail of the Arrival of the Grey Friars in Florence (fresco)
499364 Detail of the Arrival of the Grey Friars in Florence (fresco) by Giovanni di Niccolo del Biondo, (fl.1356-1392); Santa Croce, Florence

Background imageToyohara Chikanobu Collection: Take no hitofushi, Yaguchi, 1897 (woodblock print, ink & colour on paper)

Take no hitofushi, Yaguchi, 1897 (woodblock print, ink & colour on paper)
7272743 Take no hitofushi, Yaguchi, 1897 (woodblock print, ink & colour on paper) by Chikanobu, Toyohara (1838-1912); 35.9--71.6 cm; Arthur M

Background imageToyohara Chikanobu Collection: Take no hitofushi, Yaguchi, 1897 (woodblock print, ink & colour on paper)

Take no hitofushi, Yaguchi, 1897 (woodblock print, ink & colour on paper)
425510 Take no hitofushi, Yaguchi, 1897 (woodblock print, ink & colour on paper) by Chikanobu, Toyohara (1838-1912); 35.9 -- 71.6 cm; Arthur M

Background imageToyohara Chikanobu Collection: A garden folly, 1850 (w / c on paper)

A garden folly, 1850 (w / c on paper)
CJP343960 A garden folly, 1850 (w/c on paper) by English School, (19th century); Private Collection; © Charles Plante Fine Arts

Background imageToyohara Chikanobu Collection: Take no hitofushi, Yaguchi, 1897 (woodblock print, ink & colour on paper)

Take no hitofushi, Yaguchi, 1897 (woodblock print, ink & colour on paper)
425511 Take no hitofushi, Yaguchi, 1897 (woodblock print, ink & colour on paper) by Chikanobu, Toyohara (1838-1912); 35.9 -- 71.6 cm; Arthur M

Background imageToyohara Chikanobu Collection: Take no hitofushi, Yaguchi, 1897 (woodblock print, ink and color on paper)

Take no hitofushi, Yaguchi, 1897 (woodblock print, ink and color on paper)
425509 Take no hitofushi, Yaguchi, 1897 (woodblock print, ink and color on paper) by Chikanobu, Toyohara (1838-1912); 35.9 -- 71.6 cm; Arthur M

Background imageToyohara Chikanobu Collection: Conserved section from the Great East Window at York Minster

Conserved section from the Great East Window at York Minster
498965 Conserved section from the Great East Window at York Minster: The Army of Horsemen (stained glass) by English School; York Minster, Yorkshire, UK; (add.info.: Revelation 9:16-19)

Background imageToyohara Chikanobu Collection: Homeward Bound For China (colour woodblock print)

Homeward Bound For China (colour woodblock print)
425518 Homeward Bound For China (colour woodblock print) by Kogyo, Tsukioka (1869-1927); 37.8x25.6 cm; Arthur M. Sackler Gallery, Smithsonian Institution, USA; (add.info.: Scene from a Noh play)

Background imageToyohara Chikanobu Collection: Chiyoda, 1897 (colour woodblock print)

Chiyoda, 1897 (colour woodblock print)
425508 Chiyoda, 1897 (colour woodblock print) by Chikanobu, Toyohara (1838-1912); 35.9 A-- 71.9 cm; Arthur M. Sackler Gallery, Smithsonian Institution, USA; Arthur M

Background imageToyohara Chikanobu Collection: The Actor Ichikawa Yaozo I as Shinozuka Iga no Kami, Edo period

The Actor Ichikawa Yaozo I as Shinozuka Iga no Kami, Edo period
FSG348991 The Actor Ichikawa Yaozo I as Shinozuka Iga no Kami, Edo period, early 1760s (colour woodblock print) by Torii Kiyomitsu (1735-85); 30.3 x 13.2 cm; Arthur M

Background imageToyohara Chikanobu Collection: Eight Views of Battlefields: Geese Returning to the Home Port, Meiji era

Eight Views of Battlefields: Geese Returning to the Home Port, Meiji era
FSG348949 Eight Views of Battlefields: Geese Returning to the Home Port, Meiji era, 28th September 1877 (colour woodblock print) by Chikanobu, Toyohara (1838-1912); 36.1 x 24.2 cm; Arthur M

Background imageToyohara Chikanobu Collection: Takeyuki (colour woodblock print)

Takeyuki (colour woodblock print)
425516 Takeyuki (colour woodblock print) by Kogyo, Tsukioka (1869-1927); 37.5x25.7 cm; Arthur M. Sackler Gallery, Smithsonian Institution, USA; (add.info.: Scene from a Noh play.); Arthur M

Background imageToyohara Chikanobu Collection: Chiyoda, 1897 (colour woodblock print)

Chiyoda, 1897 (colour woodblock print)
425507 Chiyoda, 1897 (colour woodblock print) by Chikanobu, Toyohara (1838-1912); 35.9 A-- 71.9 cm; Arthur M. Sackler Gallery, Smithsonian Institution, USA; (add.info.: The battlements of Edo Castle)

Background imageToyohara Chikanobu Collection: Portrait of Jeanne Antoinette Poisson, Marquise of Pompadour (dit Madame de Pompadour

Portrait of Jeanne Antoinette Poisson, Marquise of Pompadour (dit Madame de Pompadour
JLJ4572220 Portrait of Jeanne Antoinette Poisson, Marquise of Pompadour (dit Madame de Pompadour, 1722-1764), favorite of Louis XV

Background imageToyohara Chikanobu Collection: Japanese women walking in front of Mount Fuji Japanese print by Toyohara Chikanobu

Japanese women walking in front of Mount Fuji Japanese print by Toyohara Chikanobu
JLJ4572187 Japanese women walking in front of Mount Fuji Japanese print by Toyohara Chikanobu (1838-1912) 1896 Private collection by Chikanobu

Background imageToyohara Chikanobu Collection: Detail of Third Panchen Lama Losan Penden Yeshe (gouache on cloth)

Detail of Third Panchen Lama Losan Penden Yeshe (gouache on cloth)
873644 Detail of Third Panchen Lama Losan Penden Yeshe (gouache on cloth) by Tibetan School (18th century); 82.55 x59.06 cm; San Diego Museum of Art


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