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Philip, Count of Artois (Philippe d Artois), died of his wounds after the Battle of Furnes, 1265-1298. He wears a hooded chainmail hauberk, sleeveless tunic, and carries the escutcheon with his coat of arms: gold fleurs de liys on a blue field

Philip, Count of Artois (Philippe d Artois), died of his wounds after the Battle of Furnes, 1265-1298. He wears a hooded chainmail hauberk, sleeveless tunic, and carries the escutcheon with his coat of arms: gold fleurs de liys on a blue field


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Philip, Count of Artois (Philippe d Artois), died of his wounds after the Battle of Furnes, 1265-1298. He wears a hooded chainmail hauberk, sleeveless tunic, and carries the escutcheon with his coat of arms: gold fleurs de liys on a blue field

FLO4673298 Philip, Count of Artois (Philippe d Artois), died of his wounds after the Battle of Furnes, 1265-1298. He wears a hooded chainmail hauberk, sleeveless tunic, and carries the escutcheon with his coat of arms: gold fleurs de liys on a blue field, red label with three gold castles on each point. Handcoloured copperplate drawn and engraved by Leopold Massard from " French Costumes from KingClovis to Our Days, " Massard, Mifliez, Paris, 1834. by Massard, Leopold (1812-1889); (add.info.: Philip, Count of Artois (Philippe d Artois), died of his wounds after the Battle of Furnes, 1265-1298. He wears a hooded chainmail hauberk, sleeveless tunic, and carries the escutcheon with his coat of arms: gold fleurs de liys on a blue field, red label with three gold castles on each point. Handcoloured copperplate drawn and engraved by Leopold Massard from " French Costumes from KingClovis to Our Days, " Massard, Mifliez, Paris, 1834.); © Florilegius

Media ID 25254080

© Florilegius / Bridgeman Images

Blazon Buckler Coat Of Arm Florilegius


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EDITORS COMMENTS
This print showcases Philip, Count of Artois (Philippe d'Artois), a noble figure who met his tragic fate after the Battle of Furnes in 1265-1298. Adorned in a formidable ensemble, he dons a hooded chainmail hauberk and a sleeveless tunic that exude both strength and elegance. In his hands rests the escutcheon bearing his distinguished coat of arms: golden fleurs de liys on a striking blue field. A red label with three gold castles adorns each point, symbolizing his lineage and heralding his noble status. The handcoloured copperplate engraving by Leopold Massard captures every intricate detail with finesse and precision. The artist's skillful rendering brings to life the rich hues and textures of this historical attire, transporting us back to an era steeped in chivalry and honor. This remarkable image is part of "French Costumes from King Clovis to Our Days" an esteemed collection curated by Massard, Mifliez in Paris during 1834. It serves as a testament to the enduring allure of French history and culture. As we gaze upon this portrait, we are reminded not only of Philip's valiant spirit but also the sacrifices made by those who fought bravely for their beliefs. This print allows us to pay homage to an extraordinary individual whose memory lives on through artistry and remembrance.

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