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Self-Portrait of the Artist Painting His Wife, c. 1810 (oil on canvas)

Self-Portrait of the Artist Painting His Wife, c. 1810 (oil on canvas)


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Self-Portrait of the Artist Painting His Wife, c. 1810 (oil on canvas)

3330036 Self-Portrait of the Artist Painting His Wife, c.1810 (oil on canvas) by Sully, Thomas (1783-1872); 67.9x55.6 cm; Yale University Art Gallery, New Haven, CT, USA; (add.info.: Sarah Annis (1779-1867) of Annapolis was first married to Lawrence Sully, after whose death she married his younger brother Thomas. ); American, out of copyright

Media ID 18260297

© Yale University Art Gallery, New Haven, CT, USA / Bridgeman Images

Brush Colonial America New England Philadelphia


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This self-portrait by Thomas Sully, titled "Self-Portrait of the Artist Painting His Wife" provides a glimpse into the intimate world of an artist and his muse. Painted around 1810, this oil on canvas print showcases Sully's exceptional talent as he delicately captures the likeness of his wife, Sarah Annis. The composition focuses on the upper half of their bodies, with Sully holding a brush in one hand and carefully applying paint to the canvas. The intensity in his gaze reveals both concentration and love for his craft. Sarah gazes at her husband with admiration and trust, her presence serving as inspiration for Sully's artistic endeavors. Set against a neutral background, their figures stand out prominently. This portrait not only highlights their physical features but also conveys a sense of unity between them. It is evident that they share a deep connection beyond just being subjects in an artwork; they are partners in life. Sully's mastery lies not only in capturing their likenesses but also in conveying emotion through subtle details such as facial expressions and body language. Through this self-portrait, we catch a glimpse into the lives of these two individuals who were bound together by marriage and artistry. Displayed at Yale University Art Gallery in New Haven, CT, this masterpiece continues to captivate viewers with its timeless beauty and serves as a testament to Thomas Sully's skill as an American artist during colonial America.

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