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Yorkshire - Skipton Castle: sepia drawing, 1818 (drawing)
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Yorkshire - Skipton Castle: sepia drawing, 1818 (drawing)
5895778 Yorkshire - Skipton Castle: sepia drawing, 1818 (drawing) by Buckler, John Chessell (1793-1894); 22.9x17.8 cm; The William Salt Library, Stafford, UK; (add.info.: The Court of Skipton Castle, Yorkshire. Showing two and three storey buildings with two two-storey bay windows, and with entrances to the left and right. There is a fountain in the middle of the court-yard.
Anonymous, [J. or J. C. Buckler].); eWilliam Salt Library; English, out of copyright
Media ID 22562288
© William Salt Library / Bridgeman Images
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EDITORS COMMENTS
This sepia drawing, created in 1818 by John Chessell Buckler, transports us back to the enchanting world of Skipton Castle in Yorkshire. Measuring 22.9x17.8 cm, this print captures the essence of a bygone era and is housed at The William Salt Library in Stafford, UK. The scene depicted is none other than the Court of Skipton Castle itself. Imposing two and three-storey buildings grace the landscape, adorned with elegant bay windows that add a touch of grandeur to their facades. To either side, entrances beckon visitors into this architectural marvel. In the heart of the courtyard lies a mesmerizing fountain, its waters dancing gracefully under sunlight's embrace. This central feature adds an air of tranquility amidst bustling castle life. As we gaze upon this remarkable artwork attributed to J. C. Buckler or possibly J. Buckler himself - as anonymity shrouds its true creator - we are transported back through time to witness the beauty and splendor that once graced Skipton Castle. This drawing not only showcases architectural prowess but also serves as a testament to our rich history and heritage. It invites us to explore every intricate detail meticulously captured on paper. Thanks to Bridgeman Images' Fine Art Finder collection, we can now appreciate this masterpiece from afar and immerse ourselves in Yorkshire's glorious past without leaving our present reality behind.
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