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The skeleton of Death paints a portrait of an Alderman, while his young servant girl flirts with a gallant artist behind the screen. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London
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The skeleton of Death paints a portrait of an Alderman, while his young servant girl flirts with a gallant artist behind the screen. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London
FLO4690501 The skeleton of Death paints a portrait of an Alderman, while his young servant girl flirts with a gallant artist behind the screen. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816. by Rowlandson, Thomas (1756-1827); (add.info.: The skeleton of Death paints a portrait of an Alderman, while his young servant girl flirts with a gallant artist behind the screen. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.); © Florilegius
Media ID 22463154
© Florilegius / Bridgeman Images
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EDITORS COMMENTS
This handcoloured copperplate print by Thomas Rowlandson, titled "The skeleton of Death paints a portrait of an Alderman, while his young servant girl flirts with a gallant artist behind the screen" is a fascinating allegory that delves into themes of mortality and seduction. Created in 1816 as part of The English Dance of Death series, this artwork showcases Rowlandson's skillful caricature style. In the scene depicted, we witness the skeletal figure of Death himself painting a portrait of an Alderman, symbolizing the inevitable fate that awaits all individuals regardless of their status or power. Meanwhile, behind a screen, a young servant girl engages in flirtatious banter with an artist who exudes charm and sophistication. Rowlandson's composition invites viewers to contemplate the fleeting nature of life and how even amidst our mortal existence, human desires persist. The macabre dance between death and desire is beautifully captured through intricate details such as the paint palette held by Death and the playful expressions on both women's faces. With its rich symbolism and social commentary on morality and class dynamics prevalent during 19th-century England, this engraving serves as both entertainment and reflection for its audience. It reminds us that no matter our position in society or our attempts at distraction from mortality, death remains an ever-present companion throughout our journey. This print stands as a testament to Rowlandson's talent for capturing complex narratives within his artwork while also shedding light on universal truths about human nature.
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