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Sitting woman selling quail milk and milk has a mother and children (1819). Wood engraving, based on a painting by Thomas Rowlandson (1756-1827), published in The Cris of London: with six charming children and nearly 40 illustrations, by Andrew Tuer
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Sitting woman selling quail milk and milk has a mother and children (1819). Wood engraving, based on a painting by Thomas Rowlandson (1756-1827), published in The Cris of London: with six charming children and nearly 40 illustrations, by Andrew Tuer
FLO4666980 Sitting woman selling quail milk and milk has a mother and children (1819). Wood engraving, based on a painting by Thomas Rowlandson (1756-1827), published in The Cris of London: with six charming children and nearly 40 illustrations, by Andrew Tuer, Field and Tuer, in London in 1883. by Rowlandson, Thomas (1756-1827); (add.info.: Sitting woman selling quail milk and milk has a mother and children (1819). Wood engraving, based on a painting by Thomas Rowlandson (1756-1827), published in The Cris of London: with six charming children and nearly 40 illustrations, by Andrew Tuer, Field and Tuer, in London in 1883.); © Florilegius
Media ID 22465266
© Florilegius / Bridgeman Images
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EDITORS COMMENTS
This wood engraving, based on a painting by Thomas Rowlandson, depicts a scene from 19th century London. In the bustling streets of the city, we see a sitting woman selling quail milk while accompanied by her children. The artist beautifully captures the essence of everyday life during this era. The woman is seated on a chair with her merchandise displayed on a table beside her. She wears traditional clothing and exudes an air of resilience and determination as she tends to her trade. Her children are close by, perhaps assisting their mother or simply enjoying the lively atmosphere around them. The details in this print are exquisite, showcasing not only the intricate engravings but also providing insight into the social dynamics of that time period. The presence of crockery and other items suggest that this street merchant was part of a larger network within London's commerce. Published in Andrew Tuer's book "The Cris of London" which features numerous illustrations depicting various aspects of life in the city, this wood engraving offers us a glimpse into history through art. It serves as a reminder that even amidst daily struggles and challenges, people found ways to provide for themselves and their families. This image is not just about commerce; it represents strength, resourcefulness, and perseverance in an ever-changing world.
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