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Portrait of Jifei Ruyi, 1666 (ink and colour on silk)
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Portrait of Jifei Ruyi, 1666 (ink and colour on silk)
5667151 Portrait of Jifei Ruyi, 1666 (ink and colour on silk) by Japanese School, (17th century); 109.5 A-- 44 cm; Metropolitan Museum of Art, New York, USA; (add.info.: Jifei Ruyi (Sokuhi Nyoichi, 1616-1671) Chinese Buddhist monk of the Obaku Zen sect, Edo period (1615-1868) by Nagasaki artist Kita Genki (active 1664-98)
Inscribed in Chinese by Ruyi himself at Fukujuji, a temple patronized by the daimyo of Kokura (present-day Kita Kyushu). Nagasaki was one of the few places Chinese culture and learning could be openly discussed when new ideas on Confucianism and Zen were brought to Japan by Chinese monks travelling through); Japanese, out of copyright
Media ID 22337090
© Bridgeman Images
Buddhism Buddhist Calligraphy Confucianism Hanging Hanging Scroll Master Oriental Scroll
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EDITORS COMMENTS
This portrait print, titled "Portrait of Jifei Ruyi, 1666" showcases the remarkable talent and cultural exchange between Japan and China during the Edo period. Created by Nagasaki artist Kita Genki, this ink and color on silk masterpiece captures the essence of Jifei Ruyi (Sokuhi Nyoichi), a revered Chinese Buddhist monk belonging to the Obaku Zen sect. The attention to detail in this artwork is truly awe-inspiring. Jifei Ruyi's serene expression exudes wisdom and tranquility, while his traditional Chinese robes symbolize his religious devotion. Seated gracefully with a hanging scroll behind him, he epitomizes the embodiment of spiritual enlightenment. What makes this piece even more extraordinary is that it bears an inscription in Chinese written by Jifei Ruyi himself at Fukujuji temple. This temple was highly esteemed by Kokura daimyo, who were influential patrons of Japanese art during that time. Through this portrait print, we witness not only Kita Genki's artistic prowess but also the profound impact of Chinese culture on Japanese society. It serves as a testament to the open discussions held in Nagasaki regarding Confucianism and Zen teachings brought by visiting Chinese monks. Now housed at The Metropolitan Museum of Art in New York City, USA, this portrait continues to captivate viewers with its timeless beauty and cultural significance. It stands as a reminder of the enduring connection between Japan and China throughout history.
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