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The pericarp of gooseberry has mackerel, fruit of Scots pine and clover walls (or ravenelle). Coloured copper engraving, illustration by Sydenham Edwards (1768-1819) for Conferences of Botanical, Botanical Garden of Lambeth (England), 1805

The pericarp of gooseberry has mackerel, fruit of Scots pine and clover walls (or ravenelle). Coloured copper engraving, illustration by Sydenham Edwards (1768-1819) for Conferences of Botanical, Botanical Garden of Lambeth (England), 1805


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The pericarp of gooseberry has mackerel, fruit of Scots pine and clover walls (or ravenelle). Coloured copper engraving, illustration by Sydenham Edwards (1768-1819) for Conferences of Botanical, Botanical Garden of Lambeth (England), 1805

FLO4610275 The pericarp of gooseberry has mackerel, fruit of Scots pine and clover walls (or ravenelle). Coloured copper engraving, illustration by Sydenham Edwards (1768-1819) for Conferences of Botanical, Botanical Garden of Lambeth (England), 1805, by William Curtis (1746-1799). Seed vessel pericarpium of the gooseberry Ribes uva crispa (1-2), fir tree Pinus sylvestris (3) and wallflower Erysimum cheiri (4-5). Handcoloured copperplate engraving of a botanical illustration by Sydenham Edwards for William Curtiss " Lectures on Botany, as delivered in the Botanic Garden at Lambeth, " 1805. Edwards (1768-1819) was the artist of thousands of botanical plates for Curtis " Botanical Magazine" and his own " Botanical Register." by Edwards, Sydenham Teast (c.1768-1819); (add.info.: The pericarp of gooseberry has mackerel, fruit of Scots pine and clover walls (or ravenelle). Coloured copper engraving, illustration by Sydenham Edwards (1768-1819) for Conferences of Botanical, Botanical Garden of Lambeth (England), 1805, by William Curtis (1746-1799). Seed vessel pericarpium of the gooseberry Ribes uva crispa (1-2), fir tree Pinus sylvestris (3) and wallflower Erysimum cheiri (4-5). Handcoloured copperplate engraving of a botanical illustration by Sydenham Edwards for William Curtiss " Lectures on Botany, as delivered in the Botanic Garden at Lambeth, " 1805. Edwards (1768-1819) was the artist of thousands of botanical plates for Curtis " Botanical Magazine" and his own " Botanical Register." ); © Florilegius

Media ID 22286802

© Florilegius / Bridgeman Images

Flowers Of Earth Fruit Bowl Fruitbowl Garden Flower Indoor Plant Seed Several Different Variants Wild Flower Botanical Board Florilegius Flowerbed Flowes Fresh Flowers Various Plants


FEATURES IN THESE COLLECTIONS

> Animals > Fishes > M > Mackerel

> Animals > Insects > Beetles > Fir Engraver

> Animals > Insects > Beetles > Pine Engraver

> Animals > Insects > Spiders > European Garden

> Arts > Artists > R > Thomas Rowlandson

> Arts > Literature > Magazines

> Arts > Portraits > Botanical illustrations > Fine art

> Arts > Portraits > Botanical illustrations > Floral artwork

> Arts > Realistic drawings > Botanical illustrations > Fine art

> Europe > United Kingdom > England > London > Boroughs > Lambeth

> Fine Art Finder > Artists > Sydenham Teast Edwards

> Fine Art Finder > Artists > Thomas Rowlandson


EDITORS COMMENTS
This print showcases the intricate details of a botanical illustration by Sydenham Edwards, created in 1805 for the Conferences of Botanical at the Botanical Garden of Lambeth in England. The colored copper engraving depicts the pericarp, or seed vessel, of a gooseberry plant alongside other natural elements. In this enchanting composition, we see the pericarpium of Ribes uva crispa (gooseberry) delicately illustrated as two ripe fruits nestled within its protective casing. Surrounding it are additional components that add depth and texture to the image. A mackerel fish gracefully curves around one side, while on another side stands a fruit from a Scots pine tree. Completing this picturesque scene are walls adorned with either clover or ravenelle flowers. Sydenham Edwards was renowned for his artistic contributions to botanical plates during his time. He collaborated with William Curtis on various publications such as "Lectures on Botany" which were delivered at Lambeth's Botanic Garden. The hand-colored copperplate engraving exemplifies Edwards' attention to detail and skillful execution. His work can be found not only in Curtis' "Botanical Magazine" but also in his own publication called "Botanical Register". This exquisite print serves as a testament to both nature's beauty and human artistry, capturing an era when scientific exploration intertwined seamlessly with artistic expression.

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