Fraud Blocker Skip to main content

Home > Fine Art Finder > Artists > Thomas Faed

Thomas Faed Collection

Choose a picture from our Thomas Faed Collection for your Wall Art and Photo Gifts

62 items

Background imageThomas Faed Collection: The Flower of Dunblane, 1867 (oil on canvas)

The Flower of Dunblane, 1867 (oil on canvas)
XKH223156 The Flower of Dunblane, 1867 (oil on canvas) by Faed, Thomas (1826-1900); 34.2x22.9 cm; Hamburger Kunsthalle, Hamburg, Germany; (add.info.: written by Tannahill in 1808; ); Scottish

Background imageThomas Faed Collection: Evangeline (oil on canvas)

Evangeline (oil on canvas)
3083307 Evangeline (oil on canvas) by Faed, Thomas (1826-1900); 59x53 cm; Manchester Art Gallery, UK; © Manchester Art Gallery ; Gift of Mr James Gresham

Background imageThomas Faed Collection: The Random Shot

The Random Shot
BUR17316 The Random Shot by Landseer, Edwin (1802-73); Bury Art Museum & Sculpture Centre, UK; eBury Art Museum & Sculpture Centre; English, out of copyright

Background imageThomas Faed Collection: The end of a happy day

The end of a happy day
BAL34330 The end of a happy day by Faed, Thomas (1826-1900); Josef Mensing Gallery, Hamm-Rhynern, Germany; Scottish, out of copyright

Background imageThomas Faed Collection: The River Banks, c. 1883 (oil on panel)

The River Banks, c. 1883 (oil on panel)
GLS224018 The River Banks, c.1883 (oil on panel) by Seurat, Georges Pierre (1859-91); 15.9x25.1 cm; Art Gallery and Museum, Kelvingrove, Glasgow, Scotland; © CSG CIC Glasgow Museums Collection

Background imageThomas Faed Collection: The Last of the Clan, 1865 (oil on canvas)

The Last of the Clan, 1865 (oil on canvas)
5947734 The Last of the Clan, 1865 (oil on canvas) by Faed, Thomas (1826-1900); 144.8x182.9 cm; Glasgow Museums, UK; © CSG CIC Glasgow Museums Collection

Background imageThomas Faed Collection: Murrough O'Brien, 1st Earl of Inchiquin, c. 1660-70 (oil on canvas)

Murrough O'Brien, 1st Earl of Inchiquin, c. 1660-70 (oil on canvas)
2906888 Murrough O'Brien, 1st Earl of Inchiquin, c.1660-70 (oil on canvas) by Wright, John Michael (1617-94); 116x106 cm; Manchester Art Gallery, UK; (add.info.: Murrough McDermod O'Brien)

Background imageThomas Faed Collection: A Well-Killed Bird (litho)

A Well-Killed Bird (litho)
1600122 A Well-Killed Bird (litho) by Stannard, Henry John Sylvester (1870-1951); Private Collection; (add.info.: A Well-Killed Bird. Illustration for The Illustrated London News, 1 September 1900)

Background imageThomas Faed Collection: Maternal Affection (oil on canvas)

Maternal Affection (oil on canvas)
3822312 Maternal Affection (oil on canvas) by Goodall, Frederick (1822-1904); 44.5x36 cm; Calderdale Museums Service, West Yorkshire, UK; eCalderdale Borough Council; English, out of copyright

Background imageThomas Faed Collection: Woman At A Cottage Door, 1851-93 (oil on panel)

Woman At A Cottage Door, 1851-93 (oil on panel)
3822297 Woman At A Cottage Door, 1851-93 (oil on panel) by Faed, Thomas (1826-1900); 28.5x20.5 cm; Calderdale Museums Service, West Yorkshire, UK; eCalderdale Borough Council; Scottish

Background imageThomas Faed Collection: The Mitherless Bairn, 1851-93 (oil on canvas)

The Mitherless Bairn, 1851-93 (oil on canvas)
3822296 The Mitherless Bairn, 1851-93 (oil on canvas) by Faed, Thomas (1826-1900); 92.5x134 cm; Calderdale Museums Service, West Yorkshire, UK; eCalderdale Borough Council; Scottish, out of copyright

Background imageThomas Faed Collection: Swiss Chalet, 1838 (oil on canvas)

Swiss Chalet, 1838 (oil on canvas)
2829692 Swiss Chalet, 1838 (oil on canvas) by Muller, William James (1812-45); 49.5x67.5 cm; Bristol Museum and Art Gallery, UK; eBristol Museums, Galleries & Archives; Purchased, 1913.; English

Background imageThomas Faed Collection: Castle in a Classical Landscape (w / c on paper)

Castle in a Classical Landscape (w / c on paper)
BFA241687 Castle in a Classical Landscape (w/c on paper) by Adam, Robert (1728-92); Private Collection; Photo eThe Fine Art Society in Edinburgh, Scotland; English, out of copyright

Background imageThomas Faed Collection: The Pedlar (oil on panel)

The Pedlar (oil on panel)
BFA241680 The Pedlar (oil on panel) by Faed, Thomas (1826-1900); Private Collection; Photo eThe Fine Art Society in Edinburgh, Scotland; Scottish, out of copyright

Background imageThomas Faed Collection: Palazzo Barberini on the Quirinale, Rome (engraving)

Palazzo Barberini on the Quirinale, Rome (engraving)
CHT201757 Palazzo Barberini on the Quirinale, Rome (engraving) by Piranesi, Giovanni Battista (1720-78); Private Collection; (add.info)

Background imageThomas Faed Collection: Lady Writing a Letter

Lady Writing a Letter
NOO56965 Lady Writing a Letter by Faed, Thomas (1826-1900); Private Collection; Photo eJohn Noott Galleries, Broadway, Worcestershire, UK; Scottish, out of copyright

Background imageThomas Faed Collection: Jessies Dream (The Relief of Lucknow), 1858 (oil on canvas)

Jessies Dream (The Relief of Lucknow), 1858 (oil on canvas)
SAG56057 Jessies Dream (The Relief of Lucknow), 1858 (oil on canvas) by Goodall, Frederick (1822-1904); Sheffield Galleries and Museums Trust

Background imageThomas Faed Collection: Sir Walter Scott and his Literary Friends at Abbotsford (oil on canvas)

Sir Walter Scott and his Literary Friends at Abbotsford (oil on canvas)
EDB52753 Sir Walter Scott and his Literary Friends at Abbotsford (oil on canvas) by Faed, Thomas (1826-1900); City of Edinburgh Museums and Art Galleries

Background imageThomas Faed Collection: Portrait of a Gentleman, c. 1640 (oil on canvas)

Portrait of a Gentleman, c. 1640 (oil on canvas)
CH140999 Portrait of a Gentleman, c.1640 (oil on canvas) by English School, (17th century); 81.2x62.2 cm; Private Collection; Photo eChristies Images; English, out of copyright

Background imageThomas Faed Collection: The First Break in the Family (oil on canvas)

The First Break in the Family (oil on canvas)
CH139996 The First Break in the Family (oil on canvas) by Faed, Thomas (1826-1900); Private Collection; (add.info.: Oho! Drear Dawned the Morning)

Background imageThomas Faed Collection: River Scene, 19th century (oil on board)

River Scene, 19th century (oil on board)
6199972 River Scene, 19th century (oil on board) by Fraser, Alexander Jnr. (1828-99); 10.8x20.3 cm; The McManus, Dundee, UK; (add.info)

Background imageThomas Faed Collection: Children Fishing, 19th century (w / c)

Children Fishing, 19th century (w / c)
6199966 Children Fishing, 19th century (w/c) by Faed, Thomas (1826-1900); 22.2x16.5 cm; The McManus, Dundee, UK; Dundee Art Galleries and Museums; Scottish, out of copyright

Background imageThomas Faed Collection: West Highland Cottage Interior (oil on canvas)

West Highland Cottage Interior (oil on canvas)
5889238 West Highland Cottage Interior (oil on canvas) by Faed, Thomas (1826-1900); 40.6x50.8 cm; Private Collection; Photo eThe Ms Gallery, London; Scottish, out of copyright

Background imageThomas Faed Collection: Storm off Egmond-Aan-Zee (oil on canvas)

Storm off Egmond-Aan-Zee (oil on canvas)
LMG128863 Storm off Egmond-Aan-Zee (oil on canvas) by Ruisdael, Jacob Isaaksz. or Isaacksz. van (1628/9-82); 106.7x147.3 cm; Leeds Museums and Art Galleries (Temple Newsam House)

Background imageThomas Faed Collection: Seeing Them Off (gouache on paper)

Seeing Them Off (gouache on paper)
DRB128834 Seeing Them Off (gouache on paper) by Faed, Thomas (1826-1900); The Drambuie Collection, Edinburgh, Scotland; Scottish, out of copyright

Background imageThomas Faed Collection: The Chimera of Arezzo, c. 400 BC (bronze)

The Chimera of Arezzo, c. 400 BC (bronze)
423788 The Chimera of Arezzo, c.400 BC (bronze) by Etruscan; Museo Archeologico Nazionale, Florence, Italy; (add.info.: Discovered in Arezzo in 1553 and claimed for Cosimo I)

Background imageThomas Faed Collection: The Home of the Faeds (w / c on paper)

The Home of the Faeds (w / c on paper)
WAG421360 The Home of the Faeds (w/c on paper) by Faed, Thomas (1826-1900); Wolverhampton Art Gallery, West Midlands, UK; eWolverhampton Art Gallery; Scottish, out of copyright

Background imageThomas Faed Collection: The Visit

The Visit
BAL13403 The Visit by Clausen, George (1852-1944); Private Collection; English, out of copyright

Background imageThomas Faed Collection: Scottish Settlers in North America (oil on canvas)

Scottish Settlers in North America (oil on canvas)
ACC13342 Scottish Settlers in North America (oil on canvas) by Faed, Thomas (1826-1900); Haworth Art Gallery, Accrington, Lancashire, UK; eHaworth Art Gallery; Scottish, out of copyright

Background imageThomas Faed Collection: William Ellis and his daughter Elizabeth, c. 1745 (oil on canvas)

William Ellis and his daughter Elizabeth, c. 1745 (oil on canvas)
TW426961 William Ellis and his daughter Elizabeth, c.1745 (oil on canvas) by Hayman, Francis (1708-76); 76.5x64 cm; Laing Art Gallery, Newcastle-upon-Tyne

Background imageThomas Faed Collection: The Orange Seller (oil on canvas)

The Orange Seller (oil on canvas)
TW426931 The Orange Seller (oil on canvas) by Faed, Thomas (1826-1900); 46x35.4 cm; Laing Art Gallery, Newcastle-upon-Tyne, UK; eTyne & Wear Archives & Museums; Scottish, out of copyright

Background imageThomas Faed Collection: Listeners ne er hear any good of themselves

Listeners ne er hear any good of themselves
BUR17310 Listeners ne er hear any good of themselves by Faed, Thomas (1826-1900); Bury Art Museum & Sculpture Centre, UK; eBury Art Museum & Sculpture Centre; Scottish, out of copyright

Background imageThomas Faed Collection: Sunset Calm in the Bay of Fundy, c. 1860 (oil on board)

Sunset Calm in the Bay of Fundy, c. 1860 (oil on board)
482029 Sunset Calm in the Bay of Fundy, c.1860 (oil on board) by Bradford, William (1823-92); 33x48.2 cm; Private Collection; Photo eChristies Images; American, out of copyright

Background imageThomas Faed Collection: Worn Out, 1868 (oil on canvas)

Worn Out, 1868 (oil on canvas)
480753 Worn Out, 1868 (oil on canvas) by Faed, Thomas (1826-1900); 105.7x145.4 cm; Private Collection; Photo eChristies Images; Scottish, out of copyright

Background imageThomas Faed Collection: Vase depicting a ceremonial scene, Tepeu 1 Period, from Uaxuctun

Vase depicting a ceremonial scene, Tepeu 1 Period, from Uaxuctun
XIR201515 Vase depicting a ceremonial scene, Tepeu 1 Period, from Uaxuctun, 600-950 (polychrome stone) (see also 201516) by Pre-Columbian; height: 22 cm; Museo Nacional de Arqueologia y Etnologia

Background imageThomas Faed Collection: Oh, Why I Left My Hame?, 1886 (oil on canvas)

Oh, Why I Left My Hame?, 1886 (oil on canvas)
TW429404 Oh, Why I Left My Hame?, 1886 (oil on canvas) by Faed, Thomas (1826-1900); 112.8x156 cm; Sunderland Museum & Winter Gardens, Tyne & Wear

Background imageThomas Faed Collection: Labour of Love (oil on canvas)

Labour of Love (oil on canvas)
TW429351 Labour of Love (oil on canvas) by Perugini, Charles Edward (1839-1918); 91.5x71 cm; Sunderland Museum & Winter Gardens, Tyne & Wear, UK; (add.info.: Born in Naples)

Background imageThomas Faed Collection: And With The Burden of Many Years, 1888 (oil on canvas)

And With The Burden of Many Years, 1888 (oil on canvas)
TW429350 And With The Burden of Many Years, 1888 (oil on canvas) by Faed, Thomas (1826-1900); 153.5x213.5 cm; Sunderland Museum & Winter Gardens, Tyne & Wear

Background imageThomas Faed Collection: Early Sorrow, 1869 (oil on panel)

Early Sorrow, 1869 (oil on panel)
RHC12429 Early Sorrow, 1869 (oil on panel) by Lejeune, Henry (1819-1904); 30.4x25.3 cm; Royal Holloway, University of London; eRoyal Holloway, University of London; English, out of copyright

Background imageThomas Faed Collection: Taking Rest, 1858 (oil on canvas)

Taking Rest, 1858 (oil on canvas)
RHC12428 Taking Rest, 1858 (oil on canvas) by Faed, Thomas (1826-1900); 83.7x63.4 cm; Royal Holloway, University of London; eRoyal Holloway, University of London; Scottish, out of copyright

Background imageThomas Faed Collection: Yorinda and Yoringel in the Witches Wood (w / c)

Yorinda and Yoringel in the Witches Wood (w / c)
6199990 Yorinda and Yoringel in the Witches Wood (w/c) by Duncan, John (1866-1945); 24x35 cm; The McManus, Dundee, UK; Dundee Art Galleries and Museums; Scottish, out of copyright

Background imageThomas Faed Collection: Woodland Path, 19th century (w / c)

Woodland Path, 19th century (w / c)
6199967 Woodland Path, 19th century (w/c) by Faed, Thomas (1826-1900); 24.7x17.2 cm; The McManus, Dundee, UK; Dundee Art Galleries and Museums; Scottish, out of copyright

Background imageThomas Faed Collection: Killiecrankie (oil on canvas)

Killiecrankie (oil on canvas)
DRB128826 Killiecrankie (oil on canvas) by Brown, William Beattie (1831-1909); The Drambuie Collection, Edinburgh, Scotland; English, out of copyright

Background imageThomas Faed Collection: A Rest by the Way (oil on canvas)

A Rest by the Way (oil on canvas)
DRB128823 A Rest by the Way (oil on canvas) by Faed, Thomas (1826-1900); The Drambuie Collection, Edinburgh, Scotland; Scottish, out of copyright

Background imageThomas Faed Collection: Vignette, 19th century (w / c)

Vignette, 19th century (w / c)
6199974 Vignette, 19th century (w/c) by Foster, Myles Birket (1825-99); 14x17.5 cm; The McManus, Dundee, UK; (add.info.: Orchar Collection); Dundee Art Galleries and Museums; English, out of copyright

Background imageThomas Faed Collection: The Visit of the Patron and Patroness to the Village School, 1851 (oil on panel)

The Visit of the Patron and Patroness to the Village School, 1851 (oil on panel)
6199968 The Visit of the Patron and Patroness to the Village School, 1851 (oil on panel) by Faed, Thomas (1826-1900); 96.5x132.1 cm; The McManus, Dundee

Background imageThomas Faed Collection: The Old Castle, 19th century (w / c)

The Old Castle, 19th century (w / c)
6199958 The Old Castle, 19th century (w/c) by Faed, Thomas (1826-1900); 17.2x24.7 cm; The McManus, Dundee, UK; Dundee Art Galleries and Museums; Scottish, out of copyright

Background imageThomas Faed Collection: The School Board in the Cottage (colour litho)

The School Board in the Cottage (colour litho)
6010838 The School Board in the Cottage (colour litho) by Faed, Thomas (1826-1900); Private Collection; (add.info.: The School Board in the Cottage)



All Professionally Made to Order for Quick Shipping



-

Why Choose Us?

We are a leading provider of Art Prints and Photo Gifts since 2004, working in partnership with a range of Sporting Clubs, Charities, Museums and Picture Libraries. A large share of profits from any of their images will go directly towards supporting that charity or club. Our archive of images is carefully curated to bring you a wide range of subjects, including landscapes, wildlife, architecture, and more. We ship from our partner labs in the UK, USA, EU (Netherlands) and Australia.
+

How do I place an order?

Ordering is quick & easy - Just follow 5 Simple Steps:
  1. Find your image: Use our search box or browse our online photo Collections to find the image you want.

  2. Choose your print format: Select your desired product and add it to your cart.

  3. Enter your details: If you're a returning customer, simply enter your email address and password, and we'll fill in your billing and shipping address details. All personal details are held securely and are fully GDPR compliant. As standard, we remove all Personally Identifiable Information after 12 months.

  4. Pay for your purchase: We use state-of-the-art security for online shopping and do not have access to your card details.

  5. Sit back and relax: We'll email you confirmation of your order and when it's dispatched. Registered customers can also track orders in the 'My Account' area.

+

How do I pay for an order?

You can pay for your order with most of the major credit and debit cards, or PayPal. For added security, major financial institutions process payment details separately and securely on our behalf. We do not have access to your online payment card details. Online payments are preferred however we do take phone orders. For UK customers only we accept cheques issued against a UK bank.
+

Is my data safe?

We take data security very seriously. We do not have access to your full card details and all payments are requested over a fully secure connection. Additionally, we fully comply with current European and GDPR legislation, and automatically remove all personal data after at most 12 months (unless you have an account with us and have signed in recently). We also have a strict opt-in policy and would never sell your personal details. Your data is only used to fulfill your order promptly and efficiently.
+

Is wall art ready to hang?

For quick and easy installation all wall art, including framed prints, canvas prints and metal prints are supplied with a ready to hang solution on the back. Generally, saw tooth hangers are applied as they allow wall art to hang flush against the wall. The serrated edge of the hanger prevents the frame from shifting or tilting when hung.
+

Are the photo prints fade resistant?

Yes, we use archival quality photo paper photographic paper for vivid reproduction Prints are an accurate representations of the original artwork, which is preserved for artistic character and authenticity. We guarantee they match previews shown on our web site