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The curtain of the Apocalypse: the corpses lie on the ground, the dragon fights the servants of God incarnated by a monk and laics. 1373-1383. made by Nicolas Bataille (1330-1405) Angers, museum of the tapestry
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The curtain of the Apocalypse: the corpses lie on the ground, the dragon fights the servants of God incarnated by a monk and laics. 1373-1383. made by Nicolas Bataille (1330-1405) Angers, museum of the tapestry
JLJ4670551 The curtain of the Apocalypse: the corpses lie on the ground, the dragon fights the servants of God incarnated by a monk and laics. 1373-1383. made by Nicolas Bataille (1330-1405) Angers, museum of the tapestry by Bataille, Nicolas (fl. 1363-1400); Musee des Tapisseries, Angers, France; (add.info.: The curtain of the Apocalypse: the corpses lie on the ground, the dragon fights the servants of God incarnated by a monk and laics. 1373-1383. made by Nicolas Bataille (1330-1405) Angers, museum of the tapestry); Photo © Photo Josse
Media ID 25904612
© Josse / Bridgeman Images
Apocalypse Christendom Dragon End Of The World Fabulous Animal Fantastic Animal Fantastic Creature Fictional Characters Lance Monstrous Character Monstruous Wonderful Character Christinaity Fictional Character Monster
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This print captures the essence of Nicolas Bataille's masterpiece, "The curtain of the Apocalypse" displayed at the Angers Museum of Tapestry. Created between 1373 and 1383, this extraordinary tapestry depicts a scene from the biblical book of Revelation. In this particular section, corpses lie strewn across the ground as a fearsome dragon engages in a fierce battle with servants of God. These holy warriors are represented by both monks and laypeople, emphasizing their devotion to defending Christianity against evil forces. Bataille's attention to detail is evident in every stitch, showcasing his mastery as an artist during the medieval period. The vibrant colors and intricate patterns bring life to this apocalyptic scene, evoking a sense of awe and wonder. As we gaze upon this artwork, we are transported back in time to an era where faith played a central role in people's lives. It serves as a reminder of humanity's eternal struggle between good and evil, symbolized by the epic clash between divine servants and monstrous creatures. "The curtain of the Apocalypse" stands not only as an artistic triumph but also as a testament to Christian values and religious devotion. Its presence within the museum walls allows visitors to immerse themselves in French culture while contemplating profound themes such as death, combat, religion, and salvation. Through Bataille's skillful interpretation of these ancient texts comes an enduring work that continues to inspire contemplation on our place within history and our own personal battles against darkness.
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