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Printemps. Portrait de la princesse Nathalie Pavlovna Shcherbatova (nee Balk Polev, 1726-1791). (Spring. portrait of the Princess N. P. Shcherbatova). Dame d honneur d Elisabeth I, dite la clemente (1709-1762)

Printemps. Portrait de la princesse Nathalie Pavlovna Shcherbatova (nee Balk Polev, 1726-1791). (Spring. portrait of the Princess N. P. Shcherbatova). Dame d honneur d Elisabeth I, dite la clemente (1709-1762)


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Printemps. Portrait de la princesse Nathalie Pavlovna Shcherbatova (nee Balk Polev, 1726-1791). (Spring. portrait of the Princess N. P. Shcherbatova). Dame d honneur d Elisabeth I, dite la clemente (1709-1762)

FIA5376976 Printemps. Portrait de la princesse Nathalie Pavlovna Shcherbatova (nee Balk Polev, 1726-1791). (Spring. portrait of the Princess N.P. Shcherbatova). Dame d honneur d Elisabeth I, dite la clemente (1709-1762). Oeuvre de Jean Francois Samsois (parfois J.F. de Somsois ou Sampsois, actif milieu 18e siecle), pastel sur carton, 1756. Art francais, 18e siecle, art rococo. State Open Air Museum Oranienbaum (Musee du palais d Oranienbaum a Lomonossov, Russie) by Samsois, Jean-Francois (1720-c.1797); State Open-air Museum, Oranienbaum, Russia; Photo © Fine Art Images

Media ID 25185206

© Fine Art Images / Bridgeman Images

Quiet Smile Softness Spring Hair Style Thinking


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EDITORS COMMENTS
This portrait, titled "Printemps. Portrait de la princesse Nathalie Pavlovna Shcherbatova" transports us to the elegance and beauty of 18th-century France. Painted by Jean Francois Samsois in 1756, this pastel on cardboard artwork captures the essence of spring through its delicate colors and softness. The subject of the painting is Princess N. P. Shcherbatova, a lady-in-waiting to Queen Elizabeth I, known as "la clemente". With her youthful face adorned with a gentle smile, she exudes an air of tranquility and grace. Her hair styled elegantly and adorned with a necklace that complements her noble status. The artist skillfully incorporates allegorical elements into the portrait, symbolizing youth and beauty associated with springtime. The flowers delicately placed in her hair further enhance this symbolism. Displayed at the State Open Air Museum Oranienbaum in Lomonossov, Russia, this artwork showcases not only French artistry but also represents Russian nobility during that era. As we gaze upon this exquisite print capturing a moment frozen in time over two centuries ago, we are reminded of the timeless allure of classical portraiture. It invites us to appreciate both artistic mastery and historical significance while contemplating the fleeting nature of seasons and human existence itself.

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