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Descent from the Cross, 1435 (oil on panel) (detail of St. John, the Virgin Mary and Christ)

Descent from the Cross, 1435 (oil on panel) (detail of St. John, the Virgin Mary and Christ)


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Descent from the Cross, 1435 (oil on panel) (detail of St. John, the Virgin Mary and Christ)

XJL187563 Descent from the Cross, 1435 (oil on panel) (detail of St. John, the Virgin Mary and Christ) (see also 187570) by Weyden, Rogier van der (1399-1464); Prado, Madrid, Spain; Netherlandish, out of copyright

Media ID 12748860

© www.bridgemanart.com

Collapse Crown Of Thorns Crying Deposition Faint Grief John The Evangelist Lord Mary Magdalene Mourner Passion Sorrow Stigmata Swoon Tears Weep Weeping Mourning Wound


EDITORS COMMENTS
This print captures a poignant moment from Rogier van der Weyden's masterpiece, "Descent from the Cross". The detail focuses on St. John, the Virgin Mary, and Christ, evoking a profound sense of sorrow and grief. In this scene, we witness the aftermath of Jesus' crucifixion as his lifeless body is being lowered down from the cross. St. John stands beside him with an expression of deep anguish etched across his face. His eyes are filled with tears as he mourns the loss of his beloved friend and savior. The Virgin Mary, clad in her iconic blue robe, gazes upon her son's lifeless form with heart-wrenching sorrow. Her face reflects not only immense grief but also unwavering love and devotion for her child. Christ's body bears the wounds inflicted during his crucifixion: a crown of thorns adorns his head while stigmata mark his hands and feet—a powerful reminder of his sacrifice for humanity. Every element in this composition conveys raw emotion—tears flow freely down faces; bodies collapse under overwhelming sadness; hearts ache at the sight of death itself. It is through these visual cues that van der Weyden invites us to reflect on our own mortality and contemplate the magnitude of Christ's passion. Displayed at Prado Museum in Madrid, Spain, this artwork continues to captivate viewers centuries after its creation. Its timeless depiction serves as a testament to both human suffering and divine grace

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