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Casket of jewels on a table, principally of German Origin (1600-50)

Casket of jewels on a table, principally of German Origin (1600-50)


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Casket of jewels on a table, principally of German Origin (1600-50)

BAL40089 Casket of jewels on a table, principally of German Origin (1600-50) by Roestraten, Pieter Gerritsz. van (c.1630-1700); Rafael Valls Gallery, London, UK; Dutch, out of copyright

Media ID 23257420

© Bridgeman Images

Bijoux Coffret Crate Vanitas Jewel


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> Arts > Artists > R > Pieter Gerritsz. van Roestraten

> Arts > Still life artwork > Still life art > Still life paintings

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> Fine Art Finder > Artists > Robert Cleminson

> Fine Art Finder > Jewellery


EDITORS COMMENTS
This photograph showcases a stunning casket of jewels placed delicately on a table, revealing its exquisite craftsmanship and intricate details. The casket is believed to be primarily of German origin, dating back to the period between 1600 and 1650. The image captures the essence of opulence and luxury, as each jewel sparkles under the light. The careful arrangement of these precious gems inside the casket highlights their value and significance in society during that era. Painted by Pieter Gerritsz. van Roestraten, this still life composition demonstrates his mastery in capturing every minute detail with precision. The artist's attention to texture and color brings out the vibrancy of each individual gemstone, making them appear almost lifelike. Beyond its aesthetic appeal, this artwork also carries symbolic meaning. It belongs to a genre known as vanitas paintings which remind viewers about the transience of life and material possessions. In this context, the casket symbolizes wealth and worldly pleasures that are ultimately fleeting. Displayed at Rafael Valls Gallery in London, UK, this photograph allows us to appreciate not only the beauty but also the historical significance behind such magnificent pieces from centuries past. It serves as a reminder of our fascination with jewelry throughout history while inviting us to contemplate our own relationship with material possessions today.

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