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Portrait of a Man, 1551 (oil on panel)

Portrait of a Man, 1551 (oil on panel)


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Portrait of a Man, 1551 (oil on panel)

613871 Portrait of a Man, 1551 (oil on panel) by Flemish School, (16th century); 48.5x36 cm; Astley Cheetham Art Gallery, Stalybridge, Greater Manchester; eAstely Cheetham Art Gallery; Flemish, out of copyright

Media ID 23235758

© Astely Cheetham Art Gallery / Bridgeman Images

Blond Blond Hair Blonde Northern European Bearded


FEATURES IN THESE COLLECTIONS

> Arts > Art Movements > Renaissance Art

> Arts > Still life artwork > Oil paintings > Portrait paintings

> Europe > United Kingdom > England > Greater Manchester > Manchester

> Europe > United Kingdom > England > Greater Manchester > Stalybridge

> Europe > United Kingdom > England > Manchester > Manchester

> Europe > United Kingdom > England > Manchester > Stalybridge

> Fine Art Finder > Artists > Flemish School

> Fine Art Finder > Artists > Richard Parkes Bonington

> Fine Art Finder > Men Up To 16th Century

> Historic > Renaissance art > Northern Renaissance art > Renaissance art

> Historic > Renaissance art > Northern Renaissance art

> Historic > Renaissance art > Portraits in renaissance art

> Historic > Renaissance art


EDITORS COMMENTS
This portrait, titled "Portrait of a Man, 1551" is a stunning example of Renaissance art from the Flemish School. Painted in oil on panel, this masterpiece measures 48.5x36 cm and can be found at the Astley Cheetham Art Gallery in Stalybridge, Greater Manchester. The subject of this portrait is an enigmatic man with a striking presence. His beard and blonde hair frame his face, adding to his distinguished appearance. Seated half-length and holding a Bible in his hands, he exudes an air of wisdom and contemplation. The artist's attention to detail is evident in every brushstroke; the texture of the man's clothing and the intricate folds are meticulously rendered. The use of light and shadow adds depth to the composition, enhancing its realism. This painting not only showcases exceptional technical skill but also reflects religious themes prevalent during the Renaissance period. The presence of the Bible suggests that this man may have been portrayed as a devout Christian or perhaps even someone involved in religious affairs. As we gaze upon this remarkable artwork captured by Bridgeman Images' photo print, we are transported back to 16th-century Northern Europe—a time when portraiture was used to immortalize individuals while capturing their inner essence for future generations to admire.

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