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Oinochoe head-vases, probably from Athens, LtoR Maenad, Class E name-vase of The Oxford
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Oinochoe head-vases, probably from Athens, LtoR Maenad, Class E name-vase of The Oxford
AMQ100566 Oinochoe head-vases, probably from Athens, LtoR Maenad, Class E name-vase of The Oxford Class and Satyr, Class P of the Chairete Class, c.500-450 BC (polychrome pottery) by Greek, (5th century BC); Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; Greek, out of copyright
Media ID 23217882
© Ashmolean Museum / Bridgeman Images
Menade Oenochoe Pitcher Satyre Wine Jar
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EDITORS COMMENTS
This print showcases a trio of exquisite Oinochoe head-vases, believed to originate from Athens during the 5th century BC. The leftmost vase portrays a Maenad, a female follower of Dionysus known for her wild and ecstatic dance rituals. Adorned with intricate polychrome pottery, this vessel exudes grace and elegance. In the center stands The Oxford Class name-vase, representing an important example of its kind. Its impeccable craftsmanship and attention to detail make it a true masterpiece. This particular vase is adorned with delicate patterns and motifs that speak volumes about the skill of ancient Greek artisans. To the right rests another remarkable creation - the Satyr from the Chairete Class. With its mischievous expression and playful demeanor, this vase captures the essence of these mythical woodland creatures associated with wine and revelry. Displayed at the Ashmolean Museum in Oxford, UK, these ancient artifacts offer us a glimpse into Greece's rich cultural heritage. Their presence evokes images of grand feasts where wine flowed freely from their jug-like forms. Preserved through time, these Oinochoe head-vases serve as reminders of humanity's enduring fascination with artistry and storytelling. They stand as testaments to our collective desire to express ourselves creatively across generations. Bridgeman Images has expertly captured this moment in history through their lens, allowing us to appreciate these masterpieces even if we cannot witness them firsthand.
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