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The end of "The Romance of the Rose", and the beginning of "The Parlement of Foules", ie Parliament of Fowls, from The Works of Geoffrey Chaucer, by William Morris, 1896 (woodcuts & black type on paper)
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The end of "The Romance of the Rose", and the beginning of "The Parlement of Foules", ie Parliament of Fowls, from The Works of Geoffrey Chaucer, by William Morris, 1896 (woodcuts & black type on paper)
7409778 The end of "The Romance of the Rose", and the beginning of "The Parlement of Foules", ie Parliament of Fowls, from The Works of Geoffrey Chaucer, by William Morris, 1896 (woodcuts & black type on paper) by Burne-Jones, Edward Coley (1833-98); 42.4x29 cm; Fitzwilliam Museum, University of Cambridge, UK; (add.info.: Pages 312-313. Showing the end of "The Romance of the Rose" and the beginning of "The Parlement of Foules" ie Parliament of Fowls. The Works of Geoffrey Chaucer. William Morris, Kelmscott Press. Illustrations by Sir Edward Burne-Jones. Woodcuts and black type on paper, height 42.4 cm, width 29 cm, 1896.); © Fitzwilliam Museum
Media ID 32114040
© Fitzwilliam Museum / Bridgeman Images
Arts And Crafts Bookplate Burne Jones Chaucer Completed Foliage Foliate Foliated Graphic Design Historiated Initial Initial Medievalism Sir Edward Burne Jones William Morris Illustrated Books Pre Raphaelite
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EDITORS COMMENTS
This print showcases the end of "The Romance of the Rose" and the beginning of "The Parlement of Foules" from "The Works of Geoffrey Chaucer" a masterpiece by William Morris in 1896. The print, created by Edward Coley Burne-Jones, measures 42.4x29 cm and is housed at the Fitzwilliam Museum in Cambridge, UK. Pages 312-313 are beautifully depicted with woodcuts and black type on paper, capturing the essence of Chaucer's timeless works. The intricate details within this image transport viewers to a world filled with medieval charm and poetic brilliance. Sir Edward Burne-Jones' illustrations bring these literary classics to life, perfectly complementing Morris' meticulous book design. The delicate foliage border frames the page while historiated initials add an air of elegance to each word. As one gazes upon this artwork, they can almost feel themselves being transported back in time to experience Chaucer's enchanting tales firsthand. It is a testament to both Morris' dedication as a publisher and Burne-Jones' artistic prowess that such masterpieces continue to captivate audiences even today. This print serves as a reminder not only of Chaucer's enduring legacy but also of the power that art has in preserving and celebrating great literature throughout history.
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