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Philippe Rovenius, Archeveque de Philipopoli, vicair apostolique, aux provinces-unies de Hollande, 1648-55. After a painting by B Breenbergh (engraving)
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Philippe Rovenius, Archeveque de Philipopoli, vicair apostolique, aux provinces-unies de Hollande, 1648-55. After a painting by B Breenbergh (engraving)
957908 Philippe Rovenius, Archeveque de Philipopoli, vicair apostolique, aux provinces-unies de Hollande, 1648-55. After a painting by B Breenbergh (engraving) by Breenbergh, Bartholomeus (1599-1657); Private Collection; (add.info.: Illustration for Iconographie General et Methodique du Costume du IV au XIX siecle by Raphael Jacquemin (Paris, 1869). Engraved by Delatre.); © Look and Learn
Media ID 22631148
© Look and Learn / Bridgeman Images
Cassock Cassocks Cleric Clerical Crucifix Iconography Ring Rings Vestment Vestments Benelux Countries Dutch Netherlands Hollander Hollanders Imam Netherland Netherlands Holland Dutch Religious Orders Religious Role The Netherland
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EDITORS COMMENTS
This print showcases Philippe Rovenius, the Archbishop of Philipopoli and Apostolic Vicar to the United Provinces of Holland from 1648 to 1655. The image is a reproduction of an engraving by Bartholomeus Breenbergh, capturing the essence of this influential religious figure. Rovenius stands tall in his clerical attire, adorned with intricate vestments that symbolize his position within the Christian faith. His cassock drapes elegantly around him, emphasizing his authority and dedication to his religious duties. A crucifix hangs delicately from a chain around his neck, serving as a constant reminder of Christ's sacrifice. The attention to detail in this artwork is remarkable; every fold and crease in Rovenius' garments has been meticulously captured by Breenbergh's skilled hand. The engraving also highlights significant elements such as the bishop's ring on Rovenius' finger, representing his commitment to serve God and lead others on their spiritual journey. This historical piece offers us a glimpse into the past, allowing us to appreciate both the artistry involved in its creation and its cultural significance. It serves as a testament not only to Rovenius' role within Christianity but also to the rich history of religion in Europe during this period. Overall, this print provides an intriguing insight into one man's devotion and influence within Dutch society during a time when religion played a vital role in shaping communities.
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