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View of the Lake Avernus from the road between Puzzoli and Cuma, Plate XXIX
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View of the Lake Avernus from the road between Puzzoli and Cuma, Plate XXIX
1275111 View of the Lake Avernus from the road between Puzzoli and Cuma, Plate XXIX, from Campi Phlegraei: Observations on the Volcanoes of the Two Sicilies, by Sir William Hamilton (1730-1803), published 1776 (hand coloured engraving) by Fabris, Pietro (fl.1768-78); Private Collection; (add.info.: 2. Outside of the cone of the Monte Nuovo; 3. Small remains of the Lucrine Lake; 4. Baia; 5. Point of Misenum; 6. Ruins of the Temple of Proserpine; 7. The Sybils Grotto ; ); The Stapleton Collection; Italian, out of copyright
Media ID 23387954
© The Stapleton Collection / Bridgeman Images
Archeological Site Crater Grand Tour Islands Natural Phenomenon Proserpine Puzzoli Volcanic Volcano William Hamilton Cuma Monte Nuovo Point Of Misenum
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View of the Lake Avernus - A Journey through Time and Nature
EDITORS COMMENTS
. This hand-colored engraving, titled "View of the Lake Avernus from the road between Puzzoli and Cuma" takes us on a visual voyage to the mesmerizing landscapes of Italy. Created by Pietro Fabris in 1776, this print is part of Sir William Hamilton's renowned work, "Campi Phlegraei: Observations on the Volcanoes of the Two Sicilies". The image showcases a breathtaking vista that unfolds before our eyes. In the foreground, we see a man on horseback, gracefully traversing an ancient road. The surrounding countryside boasts remnants of historical significance; ruins dotting its coastal terrain tell tales of civilizations long past. Our gaze then drifts towards Lake Avernus itself—a tranquil body of water nestled amidst volcanic wonders. Beyond its shores lie picturesque islands and distant mountains shrouded in misty allure. This natural phenomenon captivates with its ethereal beauty. As we delve deeper into this scene, our eyes wander to notable landmarks such as Baia—the once-thriving Roman resort town—and Proserpine's Temple ruins—an archeological treasure steeped in mythological lore. This enchanting print not only captures nature's grandeur but also invites contemplation about humanity's relationship with time and history. It serves as a testament to both Sir William Hamilton's passion for exploration and Fabris' artistic talent—transporting us back to an era when travel was synonymous with discovery. Through this artwork, we embark on our own virtual Grand Tour—an immersive experience that allows us to appreciate Italy's rich cultural heritage while marveling at its awe-inspiring landscapes.
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