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Lilium corona Imperialis (Crown imperial lily), 1737-1745 (engraved and mezzotint plate
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Lilium corona Imperialis (Crown imperial lily), 1737-1745 (engraved and mezzotint plate
986422 Lilium corona Imperialis (Crown imperial lily), 1737-1745 (engraved and mezzotint plate, printed in colours and finished by) by Ehret, Georg Dionysius (1710-70) (after); 45.5x28.5 cm; Private Collection; (add.info.: Lilium corona Imperialis (Crown imperial lily). From Phytanthoza Iconographia... by Johann Wilhelm Weinmann (1683-1741). After Georg Dionysius Ehret (1710-1770). Engraved and mezzotint plate, printed in colours and finished by hand. Published in Regensburg, 1737-1745. 45.5 x 28.5cm.); Photo eChristies Images; German, out of copyright
Media ID 22202042
© Christie's Images / Bridgeman Images
1730s 1737 1740s 1745 Artist German Background Biology Botanic Botanica Crown Imperial Early Eighteenth Century Ehert Engraved Flowerhead Georg Dionysious Ehert Georg Dionysius German Art German Artist Ground Lilies Lily Mezzotint Mid 18th Century Mid Eighteenth Century Phytanthoza Iconographia Plant Part Prints White Background White Color Johann Wilhelm Weinmann
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EDITORS COMMENTS
This print showcases the exquisite beauty of the Lilium corona Imperialis, also known as the Crown imperial lily. Created between 1737 and 1745 by German artist Georg Dionysius Ehret, this engraved and mezzotint plate is a true masterpiece in botanical illustration. The image captures a close-up view of the flowerhead, revealing intricate details of its petals and stamen. Against a pristine white background, the vibrant red color of the lily stands out, creating a striking contrast that mesmerizes viewers. The artist's meticulous attention to detail is evident in every stroke, showcasing his deep understanding of botany. Published in Regensburg during the mid-18th century as part of Johann Wilhelm Weinmann's Phytanthoza Iconographia series, this print exemplifies European artistry at its finest. It serves as both an artistic representation and scientific documentation of this particular species. Ehret's skillful use of color adds depth and dimension to the artwork while maintaining botanical accuracy. Each petal seems to come alive with delicate shading and texture meticulously finished by hand. This print not only celebrates nature's beauty but also pays homage to Ehret's contribution to botanical illustration. It serves as a reminder that art can be found even in scientific endeavors like biology and botany.
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