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Le Sourire, 1899-1900 (woodcut)
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Le Sourire, 1899-1900 (woodcut)
5860147 Le Sourire, 1899-1900 (woodcut) by Gauguin, Paul (1848-1903); The Art Institute of Chicago, IL, USA; (add.info.: Only 9 issues of this periodical were produced by Gauguin in Tahiti to attack French official colonial establishment; championing cause of French settlers;)
Media ID 32012920
© Bridgeman Images
Dom Tom French Polynesia Paul Gauguin Polynesia Polynesians Polynesisch Post Impressionism Postimpressionism Tahiti Words Art Style Mzprint Post Impressionist
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EDITORS COMMENTS
The captivating woodcut print "Le Sourire" by Paul Gauguin transports viewers to the late 19th century, a time when colonialism and political tensions were at their peak. Created between 1899-1900, this artwork was part of a series of nine issues produced by Gauguin in Tahiti as a means to challenge the French official colonial establishment and advocate for the cause of French settlers. In this particular print, Gauguin skillfully combines art with politics. The black and white composition depicts an intricate scene where words take center stage. Handwritten text is intricately woven into the image, conveying messages that criticize the prevailing political climate in France and its impact on Tahitian society. Gauguin's artistic style, influenced by post-impressionism, shines through in "Le Sourire". His use of bold lines and contrasting tones creates a visually striking piece that demands attention. The artist's mastery lies not only in his technical skills but also in his ability to convey powerful messages through visual storytelling. As we gaze upon this remarkable work from our vantage point in the present day, it serves as a reminder of both historical context and timeless themes. It prompts us to reflect on the complexities of colonialism, politics, and art's role as a vehicle for social commentary. Through "Le Sourire". Gauguin invites us to engage critically with these issues while appreciating his profound artistic vision.
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