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Saint John Chrysostom (349-407) and the Imperatrix Eudoxia (? 404)
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Saint John Chrysostom (349-407) and the Imperatrix Eudoxia (? 404)
JLJ4612629 Saint John Chrysostom (349-407) and the Imperatrix Eudoxia (? 404). The Patriarch blames the Western Impress Eudoxia (Eudoxia Aelia) and blames her for her luxury and love of pomp. Detail. Painting by Jean Paul Laurens (1838-1921), 1893. Toulouse, Musee Des Augustins by Laurens, Jean Paul (1838-1921); Musee des Augustins, Toulouse, France; (add.info.: Saint John Chrysostom (349-407) and the Imperatrix Eudoxia (? 404). The Patriarch blames the Western Impress Eudoxia (Eudoxia Aelia) and blames her for her luxury and love of pomp. Detail. Painting by Jean Paul Laurens (1838-1921), 1893. Toulouse, Musee Des Augustins); Photo ePhoto Josse; French, out of copyright
Media ID 23710402
© Josse / Bridgeman Images
4th 4th 4th Iv Iv 4th Century Balcony Constantinople Dispute Luxury Misery Pauper Turk
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EDITORS COMMENTS
This print captures a powerful moment in history, depicting Saint John Chrysostom (349-407) and the Imperatrix Eudoxia (? 404). Painted by Jean Paul Laurens in 1893, this detail from the larger painting showcases the intense emotions and tension between these two figures. In this scene, Saint John Chrysostom, a prominent religious figure of his time, stands on a balcony overlooking Constantinople. He points an accusatory finger towards the Western Empress Eudoxia (Eudoxia Aelia), blaming her for her excessive luxury and love of pomp. The artist skillfully portrays their conflicting personalities through their expressions - Chrysostom's face filled with righteous anger while Eudoxia appears defiant. The painting not only highlights the clash between wealth and poverty but also delves into themes of religion and power during medieval times. It provides us with a glimpse into the complex dynamics that existed within monarchies and religious orders. Jean Paul Laurens' attention to detail is evident in every brushstroke, capturing both historical accuracy and emotional depth. This print allows viewers to appreciate the intricacies of his work up close. Displayed at Toulouse's Musee Des Augustins, this artwork serves as a reminder of how art can immortalize significant moments in history while sparking contemplation about societal issues that transcend time.
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