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Altarpiece of the Chartreuse de Champmol, right hand side depicting the Presentation in the Temple
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Altarpiece of the Chartreuse de Champmol, right hand side depicting the Presentation in the Temple
XIR205437 Altarpiece of the Chartreuse de Champmol, right hand side depicting the Presentation in the Temple and the Flight into Egypt, c.1393-99 (tempera on panel) by Broederlam, Melchior (c.1355-c.1411); Musee des Beaux-Arts, Dijon, France; Netherlandish, out of copyright
Media ID 12704875
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Elders Infant Christ Joseph Retable
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This print showcases the right-hand side of the Altarpiece of the Chartreuse de Champmol, a masterpiece created by Melchior Broederlam in the late 14th century. The panel depicts two significant events from biblical narratives - the Presentation in the Temple and the Flight into Egypt. In this exquisite tempera on panel artwork, we are transported to a medieval world where religious devotion and artistic skill intertwine harmoniously. The central focus is on Mary, Joseph, and baby Jesus as they present him at the temple according to Jewish tradition. Their expressions radiate awe and reverence as they encounter Simeon and Anna, who recognize Jesus as their long-awaited Messiah. The lower portion of this panel portrays another pivotal moment in Christ's life - his family's escape to Egypt to avoid King Herod's wrath. We witness Mary tenderly cradling her infant while riding a humble donkey alongside Joseph. This scene symbolizes their journey towards safety and protection. Broederlam's attention to detail is evident throughout this composition; from intricate architectural elements surrounding these sacred events to meticulously rendered figures dressed in medieval attire. The artist masterfully captures both human emotion and divine significance within each brushstroke. As we gaze upon this remarkable print, we are reminded of art's ability to transcend time, allowing us access into historical moments imbued with spiritual meaning. It serves as a testament not only to Broederlam's talent but also to our enduring fascination with religious iconography that continues to inspire
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