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Still Life; Nature Morte, 1918 (oil on canvas)
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Still Life; Nature Morte, 1918 (oil on canvas)
826245 Still Life; Nature Morte, 1918 (oil on canvas) by Blanchard, Maria (1881-1932); 55x38.1 cm; Private Collection; (add.info.: Still Life; Nature Morte. Maria Blanchard (1881-1932). Oil on canvas. Painted in 1918. 55 x 38.1cm.); Photo eChristies Images; Spanish, out of copyright
Media ID 23292306
© Christie's Images / Bridgeman Images
1918 20th Century Painting Abstract Abstract Art Abstraction Angle Angular Artist Spanish Black Color Black Colour Blanchard Brown Form Nature Morte Shape Shaped Spanish Art Spanish Artist Stilllife White Color
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This print showcases Maria Blanchard's masterpiece, "Still Life; Nature Morte" painted in 1918. The oil on canvas artwork measures 55x38.1 cm and is part of a private collection. In this close-up shot, the viewer is drawn into the intricate details of the painting. Blanchard's skillful brushstrokes bring life to an otherwise still subject matter - a classic still life composition featuring various objects carefully arranged on a table. The artist's use of bold colors such as black, brown, and white creates a striking contrast that adds depth and dimension to the piece. The Spanish artist's unique perspective shines through in this early 20th-century work of art. With her abstract style and angular forms, Blanchard pushes boundaries and challenges traditional notions of still life painting. The absence of any human presence allows us to focus solely on the shapes, colors, and textures presented before us. Each object seems to have its own personality within the composition. As we delve deeper into this mesmerizing image captured by Bridgeman Images, we are transported into Blanchard's studio where she meticulously crafted every stroke with passion and precision. This print serves as a testament to Maria Blanchard's artistic genius and her contribution to Spanish art during the early 20th century. It invites viewers to appreciate the beauty found in everyday objects while also contemplating larger questions about form, abstraction, and our perception of reality.
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