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The ash-coloured Buzzard, 1749-73 (coloured engraving)
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The ash-coloured Buzzard, 1749-73 (coloured engraving)
1110307 The ash-coloured Buzzard, 1749-73 (coloured engraving) by Edwards, George (1694-1773) (after); Private Collection; (add.info.: Seligmann was a German engraver, illustrator and art dealer from Nuremberg. Originally engraved by George Edwards in his works A Natural History of Uncommon Birds and Gleanings of Natural History Michael Seligmann re-engraved the plates and combined it with Catesbys work A Natural History of Carolina, Florida and the Bahama Islands translating the names into German and adding some figures and plants not present in the originals.
Der aschfarbe Bussaar, Tiere, VAogel, Illustration, Naturgeschichte
Buteo cinereus); ePurix Verlag Volker Christen; English, out of copyright
Media ID 22520194
© Purix Verlag Volker Christen / Bridgeman Images
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EDITORS COMMENTS
This print showcases "The ash-coloured Buzzard" a stunning coloured engraving created by George Edwards in 1749-73. The artwork, now part of a private collection, is an exquisite example of natural history illustration. Originally engraved by Edwards himself for his works on uncommon birds and natural history, this particular print was later re-engraved by Michael Seligmann. Seligmann, a German engraver and art dealer from Nuremberg, combined Edwards' plates with the work of Mark Catesby's "A Natural History of Carolina, Florida and the Bahama Islands". In doing so, he translated the names into German and added additional figures and plants not present in the original illustrations. "The ash-coloured Buzzard" depicted in this print belongs to the Buteo cinereus species. Its elegant appearance is beautifully captured through intricate details and vibrant colours. This artwork serves as both a scientific record and an artistic masterpiece that highlights the beauty found within nature. Displayed by ePurix Verlag Volker Christen under English copyright laws (out of copyright), this print offers viewers a glimpse into the world of birds, animals, and natural history. It is a testament to the skillful craftsmanship of both George Edwards and Michael Seligmann while also celebrating their contributions to ornithology illustration.
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