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Cover for the magazine The Temoin, Satirical in Colours, 21 april 1935 (lithograph)
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Cover for the magazine The Temoin, Satirical in Colours, 21 april 1935 (lithograph)
ICA4845042 Cover for the magazine The Temoin, Satirical in Colours, 21 april 1935 (lithograph) by Iribe, Paul (1883-1935); (add.info.: " at last a conference that never finishes" (enfin une conference qui ne finit pas)); Photo eCaricadoc; French, out of copyright
Media ID 23719040
© Caricadoc / Bridgeman Images
Fantastic Animal Mermaid Mermaids Monstrous Character Mythical Creatures Siren Sirene Sirens Swim Swimmer Swimming Wonderful Character Caricadoc Fictional Character Pagan Paganism Pagans Polytheism Polytheist
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EDITORS COMMENTS
This lithograph from 1935, titled "Cover for the magazine The Temoin, Satirical in Colours" by Paul Iribe, transports us to a whimsical world of satire and fantasy. The image features a vibrant scene filled with mythical creatures and athletic figures. In the center of the composition, we see a group of swimmers gracefully gliding through crystal-clear waters. Their bodies merge seamlessly with those of mermaids and sirens, blurring the lines between human and fantastical beings. This fusion symbolizes the power of imagination and creativity that art possesses. The title "at last a conference that never finishes" adds an intriguing layer to this artwork. It suggests that these characters have gathered together for an eternal meeting or discussion, perhaps representing endless debates or conversations within society itself. The use of bold colors enhances the sense of playfulness in this piece while also highlighting its satirical nature. Each figure is meticulously detailed, showcasing Iribe's skill as both an artist and caricaturist. As we explore this print further, it becomes clear that it not only celebrates athleticism but also delves into themes such as mythology, paganism, religion, and fictional characters. It invites viewers to reflect on our connection to ancient beliefs while embracing our capacity for wonderment. Overall, this lithograph serves as a visual feast for the eyes—a testament to Iribe's artistic prowess—and encourages us to dive deep into our imaginations while appreciating the beauty found within fine art.
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