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Lamentation of the Dead Christ between the two saints of Orvieto (S. Parenzo on the right and S. Faustino on the left), detail, 1500-04 (fresco)
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Lamentation of the Dead Christ between the two saints of Orvieto (S. Parenzo on the right and S. Faustino on the left), detail, 1500-04 (fresco)
6262782 Lamentation of the Dead Christ between the two saints of Orvieto (S. Parenzo on the right and S. Faustino on the left), detail, 1500-04 (fresco) by Signorelli, Luca (c.1450-1523); Duomo (Cathedral of Santa Maria Assunta), Orvieto, Umbria, Italy; (add.info.: The interior, Chapel Nova or Chapel of St. Brizio, Chapel of the Holy Bodies
Orvieto, Basilica Cattedrale di Santa Maria Assunta (o Duomo), interno, Cappella Nova o Cappella di S. Brizio, Cappellina dei Corpi Santi: " Compianto di Cristo Morto" fra i due santi orvietani (S. Parenzo a destra e S. Faustino a sinistra), di Luca Signorelli, 1500 - 1504.di Luca Signorelli 1500 - 1504. Particolare.); Ghigo Roli
Media ID 25148926
© Ghigo Roli / Bridgeman Images
Affresco Arte Basilica Cattedrale Cristianesimo Cristo Deposition Deposizione Dolore Grief Grieving Mouring Mournful Muralist Painte Signorelli Luca 1450 1523 Mourning
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EDITORS COMMENTS
This print captures a poignant moment in art history, showcasing Luca Signorelli's masterpiece, "Lamentation of the Dead Christ between the two saints of Orvieto". The detail depicted here is from a larger fresco painted between 1500 and 1504, located in the Chapel Nova or Chapel of St. Brizio within the Duomo (Cathedral) of Santa Maria Assunta in Orvieto, Italy. In this particular section of the fresco, we witness the profound grief and mourning surrounding Christ's death. S. Parenzo stands on the right side while S. Faustino occupies the left side, both saints representing Orvieto itself. Their sorrowful expressions and body language convey their deep emotional connection to Jesus' lifeless body lying at their feet. Luca Signorelli's mastery as a painter shines through his attention to detail and ability to evoke strong emotions through his brushstrokes. This artwork not only showcases his technical skill but also reflects Christian themes prevalent during that time period. The overall composition exudes an atmosphere of solemnity and reverence as viewers are invited into this sacred space where they can contemplate Christ's sacrifice for humanity. Ghigo Roli expertly captured this powerful scene with his camera lens, allowing us to appreciate every intricate detail from Signorelli's original work. This print serves as a testament to both artistic excellence and religious devotion that continues to captivate audiences centuries later.
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