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Thais, 1927 (colour etching and aquatint)
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Thais, 1927 (colour etching and aquatint)
991058 Thais, 1927 (colour etching and aquatint) by Icart, Louis (1888-1950); 43x53.5 cm; Private Collection; (add.info.: Thais. Louis Icart (1888-1950). Colour etching and aquatint. Etched in 1927. 43 x 53.5cm.); Photo © Christies Images
Media ID 25159622
© Christie's Images / Bridgeman Images
1927 20th Century Decorative Arts Animal Skin Animal Theme Animal Themes Aquatint Arm Resting Art Deco Big Cat Black Hair Carpet Dark Hair Deco Direct Gaze Etching Feline Framed Image Furnishing Icart Incopyright Leaning On Elbow Leopard Leopard Skin Looking At Camera Louis Icart Oval Shaped Pose Posed Posing Prints Reclining Soft Furnishing Thai Two Animals Wild Animal Wilds Woman Alone 1920s 20s 20s Artist French French Art French Artist Interior Decoration Portrait Style Portraiture
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Thais, 1927
EDITORS COMMENTS
is a captivating color etching and aquatint print by renowned French artist Louis Icart. Created in 1927, this artwork measures 43x53.5 cm and is part of a private collection. The image features a striking portrait-style composition with two animals as the main subjects. In this early twentieth-century piece, Icart skillfully captures the essence of wild life through his meticulous etching technique. A leopard and a female figure are depicted in an intimate moment, both looking directly at the camera. The woman rests her arm on the animal's sleek coat while leaning on her elbow. The scene exudes an air of elegance and sophistication, enhanced by the presence of animal themes throughout the artwork. The woman's black hair contrasts beautifully against her soft furnishings and animal skin backdrop. Icart's mastery in capturing human form is evident in this piece as he portrays both subjects with great attention to detail. The artist's use of color adds depth to the composition, creating a visually stunning effect. With "Thais, 1927". Louis Icart showcases his talent for combining artistry with interior decoration. This print serves as a testament to his contribution to French art during the early twentieth century.
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