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Marble bust of Princess Mathilde has the golden crown in 1861

Marble bust of Princess Mathilde has the golden crown in 1861


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Marble bust of Princess Mathilde has the golden crown in 1861

5944650 Marble bust of Princess Mathilde has the golden crown in 1861 by Fulconis, Louis Guillaume (1818 - 1873); Musee d Orsay, Paris, France; (add.info.: Fulconis Louis Guillaume (1818 - 1873) Marble bust of Princess Mathilde (1820 - 1904) has the golden crown in 1861 Musee D Orsay.); Photo © Photo Josse

Media ID 25171576

© Josse / Bridgeman Images

1808 1873 Bas Reliefs Bonaparte Family Napoleon 3 Napoleon 3rd Napoleon Iii Napoleon Iii 1808 1873 Napoleon Iii Iii 3 Napoleon Iii Iii 3rd 1808 1873 Napoleon Iiird Sclupture Sculptrue Sculpure Sculputre Scultpure Scuplture Scupture Scuptures Second Empire This Is The First Wooden Carving Xixth


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> Historic > Medieval architecture > Sculptures, reliefs, and carvings > Marble reliefs

> Historic > Medieval architecture > Sculptures, reliefs, and carvings > Wooden sculptures


EDITORS COMMENTS
This print showcases a magnificent marble bust of Princess Mathilde adorned with a resplendent golden crown. Created in 1861 by the talented artist Louis Guillaume Fulconis, this masterpiece can be found at the Musee d'Orsay in Paris, France. Princess Mathilde, born in 1820 and passing away in 1904, was a member of the illustrious Bonaparte family and lived during the Second Empire under Napoleon III. This exquisite carving captures her regal beauty and elegance, reflecting the opulence and grandeur of that era. The intricate details of this sculpture are truly remarkable. From the delicately carved features to the bas reliefs that adorn it, every aspect demonstrates Fulconis' exceptional skill as an artist. The use of marble adds a sense of timelessness to this piece, enhancing its enduring appeal. As we gaze upon this photograph, we are transported back to a bygone era when artistry flourished under imperial patronage. It serves as a testament to both Princess Mathilde's significance within French society and Fulconis' mastery as a sculptor. This image is not only an appreciation of fine art but also an invitation to delve into history itself. It invites us to explore the rich cultural heritage preserved within museums like Musee d'Orsay while reminding us of our shared human fascination with beauty and creativity across centuries.

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