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The Temoin, Satirical in Colours, 1934_7_1: The Shield - Anticommunism, Popular Front
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The Temoin, Satirical in Colours, 1934_7_1: The Shield - Anticommunism, Popular Front
ICA4853890 The Temoin, Satirical in Colours, 1934_7_1: The Shield - Anticommunism, Popular Front, Sickle and Hammer - Marianne - Illustration by Paul Iribe (1883-1935) by Iribe, Paul (1883-1935); (add.info.: The Temoin, Satirical in Colours, 1934_7_1: The Shield - Anticommunism, Popular Front, Sickle and Hammer - Marianne - Illustration by Paul Iribe (1883-1935)); Photo eCaricadoc; French, out of copyright
Media ID 23718850
© Caricadoc / Bridgeman Images
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The Temoin, Satirical in Colours
EDITORS COMMENTS
is a captivating print that transports us back to the politically charged era of 1934. This artwork, created by Paul Iribe, showcases his exceptional talent for satire and illustration. The image features a shield divided into two distinct sections: Anticommunism and Popular Front. On the left side of the shield, we see symbols representing anticommunism - an ideology vehemently opposed to communism. It serves as a visual commentary on the prevailing fears and concerns surrounding this political movement during that time. Contrasting with this is the right side of the shield depicting symbols associated with the Popular Front - a coalition of leftist parties formed in France during this period. The sickle and hammer symbolize socialism while Marianne represents liberty and reason. Iribe's artistic prowess shines through in this composition as he skillfully combines various elements to convey complex political ideas. The use of vibrant colors adds depth and intensity to his message. This print captures not only a historical moment but also reflects upon timeless themes such as political ideologies, societal divisions, and human aspirations for freedom. It serves as a reminder of how art can be used as a powerful tool for social commentary. Overall, "The Temoin, Satirical in Colours" invites viewers to delve into its intricate details and contemplate the socio-political climate it represents – making it an intriguing addition to any collection or exhibition dedicated to 20th-century art history.
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