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Canto XVII Four Sodomites: Dante and Virgil ride on the back of Geryon into the Circle of
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Canto XVII Four Sodomites: Dante and Virgil ride on the back of Geryon into the Circle of
LEE59154 Canto XVII Four Sodomites: Dante and Virgil ride on the back of Geryon into the Circle of the Fraudulents, from the Divine Comedy (the Inferno), c.1313 (vellum) by Italian School, (14th century); Vatican Library, Vatican City; (add.info.: Dante Alighieri (1265-1321); ); eDavid Lees Photography Archive; Italian, out of copyright
Media ID 23220612
© David Lees Photography Archive / Bridgeman Images
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The captivating print titled "Canto XVII Four Sodomites" transports viewers into the vivid world of Dante Alighieri's Divine Comedy. The image showcases the moment when Dante and Virgil, his guide through Hell, embark on a perilous journey into the Circle of the Fraudulents. Mounted atop Geryon, a mythical creature with the body of a serpent and wings of a bat, Dante and Virgil navigate their way through this treacherous realm. The artist masterfully captures their expressions - awe mixed with apprehension - as they descend further into darkness. This 14th-century vellum manuscript from the Vatican Library is an exquisite example of Italian medieval artistry. Its intricate details and vibrant colors bring to life Dante's epic poem, which explores themes of sin, punishment, and redemption. As we gaze upon this remarkable piece captured by eDavid Lees Photography Archive, we are reminded of Dante's enduring legacy in literature and his ability to transport readers across time and space. This photograph serves as a visual testament to both his genius as a poet and the artistic prowess that has preserved his work throughout centuries. A© David Lee's Fine Art Finder allows us to appreciate this stunning artwork without commercial constraints while honoring its historical significance. Let us immerse ourselves in this scene from one of humanity's greatest literary achievements – The Divine Comedy by Dante Alighieri.
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