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Leonardo da Vinci Collection (#4)

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Background imageLeonardo da Vinci Collection: Design for a folding Capstan handle, Fol. 376v-c (pen and ink on paper)

Design for a folding Capstan handle, Fol. 376v-c (pen and ink on paper)
XJF311639 Design for a folding Capstan handle, Fol. 376v-c (pen and ink on paper) by Vinci, Leonardo da (1452-1519); Private Collection; Italian, out of copyright

Background imageLeonardo da Vinci Collection: Immigrants in folk dance on Ellis Island, New York Harbor, 1907 (b / w photo)

Immigrants in folk dance on Ellis Island, New York Harbor, 1907 (b / w photo)
PNP340136 Immigrants in folk dance on Ellis Island, New York Harbor, 1907 (b/w photo) by American Photographer, (20th century); Private Collection; Peter Newark American Pictures; American

Background imageLeonardo da Vinci Collection: Scientific diagrams, from the Codex Leicester, 1508-12 (sepia ink on linen paper)

Scientific diagrams, from the Codex Leicester, 1508-12 (sepia ink on linen paper)
XBP340122 Scientific diagrams, from the Codex Leicester, 1508-12 (sepia ink on linen paper) by Vinci, Leonardo da (1452-1519); Private Collection; Photo eBoltin Picture Library; Italian

Background imageLeonardo da Vinci Collection: Venus and Cupid (pencil & chalk on paper)

Venus and Cupid (pencil & chalk on paper)
AGN358262 Venus and Cupid (pencil & chalk on paper) by Boucher, Francois (1703-70); 36.3x25.6 cm; Private Collection; Photo eAgnew s, London; French, out of copyright

Background imageLeonardo da Vinci Collection: Sheet of studies of foot soldiers and horsemen in combat, and halbards

Sheet of studies of foot soldiers and horsemen in combat, and halbards
FTB360497 Sheet of studies of foot soldiers and horsemen in combat, and halbards, 1485-1488 (pen and ink on paper) by Vinci, Leonardo da (1452-1519); Gallerie dell Accademia, Venice, Italy; Italian

Background imageLeonardo da Vinci Collection: Plaque depicting the armour of Joan of Arc (1412-31) (stone) (b / w photo)

Plaque depicting the armour of Joan of Arc (1412-31) (stone) (b / w photo)
XIR168761 Plaque depicting the armour of Joan of Arc (1412-31) (stone) (b/w photo) by French School, (15th century); Basilique Saint-Denis, France; (add.info.: Studio Giraudon 1926; ); French

Background imageLeonardo da Vinci Collection: Icosahedron, from De Divina Proportione by Luca Pacioli, published 1509

Icosahedron, from De Divina Proportione by Luca Pacioli, published 1509
XIR168749 Icosahedron, from De Divina Proportione by Luca Pacioli, published 1509, Venice (engraving) (b/w photo) by Vinci, Leonardo da (1452-1519); Bibliotheque Nationale, Paris, France; Italian

Background imageLeonardo da Vinci Collection: View of the Mall and St. Jamess Park (oil on canvas)

View of the Mall and St. Jamess Park (oil on canvas)
FTB165456 View of the Mall and St. Jamess Park (oil on canvas) by Ricci, Marco (1676-1730); Castle Howard, North Yorkshire, UK; Italian, out of copyright

Background imageLeonardo da Vinci Collection: War machine (pencil on paper)

War machine (pencil on paper)
FTB165449 War machine (pencil on paper) by Vinci, Leonardo da (1452-1519); Gallerie dell Accademia, Venice, Italy; (add.info.: Instruments for hurling stones and darts); Italian, out of copyright

Background imageLeonardo da Vinci Collection: The Redeemer (red chalk on paper)

The Redeemer (red chalk on paper)
ALI152188 The Redeemer (red chalk on paper) by Vinci, Leonardo da (1452-1519); Pinacoteca di Brera, Milan, Italy; Alinari

Background imageLeonardo da Vinci Collection: Study of the different Aerodynamic qualities of varying forms with a sketch of a Man

Study of the different Aerodynamic qualities of varying forms with a sketch of a Man
BIF161926 Study of the different Aerodynamic qualities of varying forms with a sketch of a Man and two Birds, Ms 7 (brown chalk on paper) by Vinci

Background imageLeonardo da Vinci Collection: Plan and elevation of Cluny Abbey (engraving) (b / w photo)

Plan and elevation of Cluny Abbey (engraving) (b / w photo)
XIR210457 Plan and elevation of Cluny Abbey (engraving) (b/w photo) by Giffart, Pierre (1638-1723); Bibliotheque Nationale, Paris, France; French, out of copyright

Background imageLeonardo da Vinci Collection: Designs for a centrally planned church, fol. 3v from Codex Ashburnham I and II

Designs for a centrally planned church, fol. 3v from Codex Ashburnham I and II
BIF210450 Designs for a centrally planned church, fol. 3v from Codex Ashburnham I and II (formerly part of Manuscript B (2184)), c.1492 (pen & ink on paper) by Vinci

Background imageLeonardo da Vinci Collection: The Accursed Poets, front cover of the newspaper Lutece

The Accursed Poets, front cover of the newspaper Lutece
CHT163717 The Accursed Poets, front cover of the newspaper Lutece, 1884 (engraving) (b/w photo) by French School, (19th century); Bibliotheque Nationale, Paris, France; eArchives Charmet; French

Background imageLeonardo da Vinci Collection: The Ermine as a Symbol of Purity, c. 1494 (pen and brown ink over black on paper)

The Ermine as a Symbol of Purity, c. 1494 (pen and brown ink over black on paper)
FIT167665 The Ermine as a Symbol of Purity, c.1494 (pen and brown ink over black on paper) by Vinci, Leonardo da (1452-1519); diameter: 9.1 cm; Fitzwilliam Museum, University of Cambridge

Background imageLeonardo da Vinci Collection: Ecstasy of St. Teresa (marble) (detail)

Ecstasy of St. Teresa (marble) (detail)
ALI187194 Ecstasy of St. Teresa (marble) (detail) by Bernini, Gian Lorenzo (1598-1680); Santa Maria della Vittoria, Rome, Italy; Alinari

Background imageLeonardo da Vinci Collection: View of Diocletians Palace, c. AD 300 (photo)

View of Diocletians Palace, c. AD 300 (photo)
JB140721 View of Diocletians Palace, c.AD 300 (photo) by Croatian School (4th century); Split, Croatia; eJohn Bethell; Croatian, out of copyright

Background imageLeonardo da Vinci Collection: Virgin Mary, from the Annunciation, 1472-75 (oil on panel) (detail) (post-restoration)

Virgin Mary, from the Annunciation, 1472-75 (oil on panel) (detail) (post-restoration)
BEN140572 Virgin Mary, from the Annunciation, 1472-75 (oil on panel) (detail) (post-restoration) by Vinci, Leonardo da (1452-1519); Galleria degli Uffizi, Florence, Tuscany

Background imageLeonardo da Vinci Collection: Annunciation, 1472-75 (oil on panel) (post restoration)

Annunciation, 1472-75 (oil on panel) (post restoration)
BEN140570 Annunciation, 1472-75 (oil on panel) (post restoration) by Vinci, Leonardo da (1452-1519); 98x217 cm; Galleria degli Uffizi, Florence, Tuscany, Italy; Photo eRaffaello Bencini; Italian

Background imageLeonardo da Vinci Collection: Battle between Gladiators, detail of a gladiator armed with a dagger and a shield, 320 AD (mosaic)

Battle between Gladiators, detail of a gladiator armed with a dagger and a shield, 320 AD (mosaic)
ALI156826 Battle between Gladiators, detail of a gladiator armed with a dagger and a shield, 320 AD (mosaic) by Roman, (4th century AD); Galleria Borghese, Rome, Lazio

Background imageLeonardo da Vinci Collection: Ecclesiastical design, The Glossary of Ecclesiastical Ornament and Costume

Ecclesiastical design, The Glossary of Ecclesiastical Ornament and Costume
STC156400 Ecclesiastical design, The Glossary of Ecclesiastical Ornament and Costume, lithograph by H.C. Maguire, 1844 (colour litho) by Pugin

Background imageLeonardo da Vinci Collection: A Horseman in Combat with a Griffin, 16th century (silverpoint on paper)

A Horseman in Combat with a Griffin, 16th century (silverpoint on paper)
AMO156354 A Horseman in Combat with a Griffin, 16th century (silverpoint on paper) by Vinci, Leonardo da (1452-1519); 8.8x13.9 cm; Ashmolean Museum, University of Oxford

Background imageLeonardo da Vinci Collection: The Incredulity of St. Thomas (tempera on panel)

The Incredulity of St. Thomas (tempera on panel)
AII58352 The Incredulity of St. Thomas (tempera on panel) by Toscani, Giovanni Francesco (1370-1430); Galleria dell Accademia & Museo degli Strumenti Musicali, Florence, Tuscany, Italy; Italian

Background imageLeonardo da Vinci Collection: Drapery Study for a Standing Figure Seen from the Front, c

Drapery Study for a Standing Figure Seen from the Front, c
BAT58331 Drapery Study for a Standing Figure Seen from the Front, c.1478-80 (tempera and white on canvas) by Vinci, Leonardo da (1452-1519); Gabinetto dei Disegni e Stampe, Galleria Degli Uffizi

Background imageLeonardo da Vinci Collection: General View of the Chapel

General View of the Chapel
BEN63189 General View of the Chapel by Masaccio, Masolino and Filippino Lippi (15th c.); Chiesa di Santa Maria del Carmine, Florence

Background imageLeonardo da Vinci Collection: Study of Horses and Riders, c. 1480 (metalpoint on paper)

Study of Horses and Riders, c. 1480 (metalpoint on paper)
FIT63167 Study of Horses and Riders, c.1480 (metalpoint on paper) by Vinci, Leonardo da (1452-1519); 14.3x12.8 cm; Fitzwilliam Museum, University of Cambridge, UK; eFitzwilliam Museum; Italian

Background imageLeonardo da Vinci Collection: The Conveyance Paper of Blackfriars House, 10th March, 1613

The Conveyance Paper of Blackfriars House, 10th March, 1613
GHL60405 The Conveyance Paper of Blackfriars House, 10th March, 1613, showing the only known signature of William Shakespeare by English School, (17th century); London Metropolitan Archives

Background imageLeonardo da Vinci Collection: Study of Horsemen in Combat and Foot Soldiers, 1503 (pen & ink on paper)

Study of Horsemen in Combat and Foot Soldiers, 1503 (pen & ink on paper)
FTB60399 Study of Horsemen in Combat and Foot Soldiers, 1503 (pen & ink on paper) by Vinci, Leonardo da (1452-1519); Gallerie dell Accademia, Venice

Background imageLeonardo da Vinci Collection: Castle at Bentheim, 1651 (oil on canvas)

Castle at Bentheim, 1651 (oil on canvas)
PHD428 Castle at Bentheim, 1651 (oil on canvas) by Ruisdael, Jacob Isaaksz. or Isaacksz. van (1628/9-82); 97.7x81.3 cm; Private Collection; Dutch, out of copyright

Background imageLeonardo da Vinci Collection: Madonna with a Flower, or Madonna Benois, c. 1478 (oil on canvas)

Madonna with a Flower, or Madonna Benois, c. 1478 (oil on canvas)
MEL403 Madonna with a Flower, or Madonna Benois, c.1478 (oil on canvas) by Vinci, Leonardo da (1452-1519); 49.5x33 cm; State Hermitage Museum, St. Petersburg, Russia; Italian, out of copyright

Background imageLeonardo da Vinci Collection: Landscape from Saint-Remy, 1889 (oil on canvas)

Landscape from Saint-Remy, 1889 (oil on canvas)
5320738 Landscape from Saint-Remy, 1889 (oil on canvas) by Gogh, Vincent van (1853-90); 70.5x88.5 cm; Ny Carlsberg Glyptotek, Copenhagen, Denmark; Dutch, out of copyright

Background imageLeonardo da Vinci Collection: Urban planning: architectural plan (16) by Leonardo da Vinci (Leonardo da Vinci)

Urban planning: architectural plan (16) by Leonardo da Vinci (Leonardo da Vinci)
GIA4811324 Urban planning: architectural plan (16) by Leonardo da Vinci (Leonardo da Vinci) by Vinci, Leonardo da (1452-1519); Bibliotheque de l Institut de France, Paris

Background imageLeonardo da Vinci Collection: Portrait of Jeanne-Marie Bouvier de la Motte-Guyon

Portrait of Jeanne-Marie Bouvier de la Motte-Guyon
FIA5326077 Portrait of Jeanne-Marie Bouvier de la Motte-Guyon by Cheron, Elisabeth Sophie (1648-1711); Pushkin Museum, Moscow

Background imageLeonardo da Vinci Collection: Study on wings. Codex Atlantic. Atlantic Codex, Drawing by Leonard de Vinci

Study on wings. Codex Atlantic. Atlantic Codex, Drawing by Leonard de Vinci
GIA5035842 Study on wings. Codex Atlantic. Atlantic Codex, Drawing by Leonard de Vinci (Leonardo da Vinci) around 1499. by Vinci, Leonardo da (1452-1519); eGiancarlo Costa; Italian, out of copyright

Background imageLeonardo da Vinci Collection: Oliver plucks up a spirit - Illustration pour 'Oliver Twist'

Oliver plucks up a spirit - Illustration pour "Oliver Twist"
GIA5617744 Oliver plucks up a spirit - Illustration pour " Oliver Twist" (Olivier) (The Adventures of Oliver Twist) de Charles Dickens (1812-1870)

Background imageLeonardo da Vinci Collection: Florentine Art of the 19th century, Statue of Leonardo da Vinci (Leonardo da Vinci

Florentine Art of the 19th century, Statue of Leonardo da Vinci (Leonardo da Vinci
GIM5038309 Florentine Art of the 19th century, Statue of Leonardo da Vinci (Leonardo da Vinci) (1452 - 1519), Uffizi, Florence (Immagina) by Vinci

Background imageLeonardo da Vinci Collection: Leonardo da Vinci (Leonardo da Vinci) (1452 - 1519): Study for the Battle of Anghiari

Leonardo da Vinci (Leonardo da Vinci) (1452 - 1519): Study for the Battle of Anghiari
GIM5037922 Leonardo da Vinci (Leonardo da Vinci) (1452 - 1519): Study for the Battle of Anghiari (Immagina) by Vinci, Leonardo da (1452-1519); (add.info)

Background imageLeonardo da Vinci Collection: Map of Russia (From: Imperii Russici et Tartariae universae tam majoris et Asiaticae quam

Map of Russia (From: Imperii Russici et Tartariae universae tam majoris et Asiaticae quam
FIA5399599 Map of Russia (From: Imperii Russici et Tartariae universae tam majoris et Asiaticae quam minoris et Europaeae tabula) - Homann, Johann Baptist (1663-1724) - 1738 - Copper engraving

Background imageLeonardo da Vinci Collection: Study of Two Warriors Heads for the Battle of Anghiari

Study of Two Warriors Heads for the Battle of Anghiari
FIA5399582 Study of Two Warriors Heads for the Battle of Anghiari, 1504-05 (black chalk and sanguine on paper) by Vinci, Leonardo da (1452-1519); 19.1x18.8 cm; Museum of Fine Arts (Szepmuveszeti)

Background imageLeonardo da Vinci Collection: View of the tripylon of the Darius palace, 6th century BC

View of the tripylon of the Darius palace, 6th century BC
LRI4678288 View of the tripylon of the Darius palace, 6th century BC by Persian School, (6th century BC); Palace of Darius, Persepolis

Background imageLeonardo da Vinci Collection: The Family of the Duke of Penthievre in 1768 or 'La Tasse de Chocolat'

The Family of the Duke of Penthievre in 1768 or "La Tasse de Chocolat"
JLJ4647239 The Family of the Duke of Penthievre in 1768 or " La Tasse de Chocolat" : reunited portraits of the Duke of Penthievre (1725-1793), of his son the Prince of Lamballe (1747-1768)

Background imageLeonardo da Vinci Collection: Flying machines, one of the first drawings of a helicopter-like flying machine, c

Flying machines, one of the first drawings of a helicopter-like flying machine, c
JLJ4647230 Flying machines, one of the first drawings of a helicopter-like flying machine, c. 1487 (pen & ink on paper) by Vinci, Leonardo da (1452-1519); Bibliotheque de l Institut de France, Paris

Background imageLeonardo da Vinci Collection: Polyptych of the life of Beata Umilta (detail of the Beata) - Detrempe on wood, 1316

Polyptych of the life of Beata Umilta (detail of the Beata) - Detrempe on wood, 1316
LRI4572999 Polyptych of the life of Beata Umilta (detail of the Beata) - Detrempe on wood, 1316 by Lorenzetti, Pietro (c.1280-1348); Galleria degli Uffizi, Florence, Tuscany

Background imageLeonardo da Vinci Collection: Landscape of Santa Maria della Neve: the landscape of the Arno Valley (pencil drawing

Landscape of Santa Maria della Neve: the landscape of the Arno Valley (pencil drawing
LRI4572981 Landscape of Santa Maria della Neve: the landscape of the Arno Valley (pencil drawing, 1473) by Vinci, Leonardo da (1452-1519); Gabinetto dei Disegni e Stampe, Galleria Degli Uffizi

Background imageLeonardo da Vinci Collection: Allegory of Death or Vanity Painting by Trophime Bigot (1579-1650) 17th century

Allegory of Death or Vanity Painting by Trophime Bigot (1579-1650) 17th century
JLJ4572930 Allegory of Death or Vanity Painting by Trophime Bigot (1579-1650) 17th century. Rome, National Museum by Bigot, Trophime (c.1595-p.1650); Museo Nazionale, Rome

Background imageLeonardo da Vinci Collection: The birth of st Nicholas of Myra - oil on panel, 14th century

The birth of st Nicholas of Myra - oil on panel, 14th century
LRI4575929 The birth of st Nicholas of Myra - oil on panel, 14th century by Veneziano, Paolo (fl.1333-62); Galleria degli Uffizi, Florence, Tuscany

Background imageLeonardo da Vinci Collection: Presumed Self-portrait of Leonardo da Vinci (Lucan portrait) - tempera on panel

Presumed Self-portrait of Leonardo da Vinci (Lucan portrait) - tempera on panel
LRI4575875 Presumed Self-portrait of Leonardo da Vinci (Lucan portrait) - tempera on panel, 1490-1500 by Vinci, Leonardo da (1452-1519); Galleria degli Uffizi, Florence, Tuscany

Background imageLeonardo da Vinci Collection: Doge Giacomo Durazzo Grimaldi guiding Cardinal Francesco Pacheco on the streets of Genes

Doge Giacomo Durazzo Grimaldi guiding Cardinal Francesco Pacheco on the streets of Genes
LRI4700297 Doge Giacomo Durazzo Grimaldi guiding Cardinal Francesco Pacheco on the streets of Genes in 1574 (fresco, 16th-17th century) by Tavarone, Lazzaro (1556-1641); Museo di Sant Agostino



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