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L Assiette au Beurre, number 414, Satirique en couleurs, 1909_3_6: Colonization, Marine Marine Marine Balneaire, Guadeloupe, Pointe a Pitre - Alfred Leon Gerault Richard (1860-1911), Black (lithograph)
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L Assiette au Beurre, number 414, Satirique en couleurs, 1909_3_6: Colonization, Marine Marine Marine Balneaire, Guadeloupe, Pointe a Pitre - Alfred Leon Gerault Richard (1860-1911), Black (lithograph)
ICA4913003 L Assiette au Beurre, number 414, Satirique en couleurs, 1909_3_6: Colonization, Marine Marine Marine Balneaire, Guadeloupe, Pointe a Pitre - Alfred Leon Gerault Richard (1860-1911), Black (lithograph) by Camara, Leal de (1877-1948); (add.info.: L Plate au beurre, number 414, Satirique en couleurs, 1909_3_6: Colonization, Marine Marine Marine Balneaire, Guadeloupe, Pointe a Pitre - Alfred Leon Gerault Richard (1860-1911), Black - Illustration by Leal de Camara (1877-1948)); Photo © Caricadoc
Media ID 25156934
© Caricadoc / Bridgeman Images
Caribbean Caribbean Island Carribean Central America Dagger Distrust Guadeloupe Guadeloupean Guard Luggage Afica Afric Caricadoc Central Africa Transport Vehicle Years 1900
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EDITORS COMMENTS
This black lithograph print titled "L'Assiette au Beurre, number 414, Satirique en couleurs, 1909_3_6: Colonization, Marine Marine Marine Balneaire, Guadeloupe, Pointe a Pitre" by Alfred Leon Gerault Richard showcases the intricate details of a satirical illustration. Created in 1909 by Leal de Camara, this artwork offers a thought-provoking commentary on colonization and its impact on the Caribbean island of Guadeloupe. The image depicts an African man standing guard with a gun on a boat as it approaches the shores of Guadeloupe. The engraving highlights themes of distrust and journey as the passengers aboard carry luggage and weapons while being watched over by French colonial authorities. This caricature reflects the complex dynamics between colonizers and Africans during that time period. The artist's use of bold lines and contrasting shades adds depth to this piece. It serves as both historical documentation and social critique, shedding light on the realities faced by Africans under colonial rule in the early 20th century. Through this print, we are transported back in time to witness an important chapter in history - one that shaped not only Guadeloupe but also other parts of Central America and Africa affected by European colonialism. This artwork is a testament to how art can be used to provoke thought and spark conversations about societal issues that continue to resonate today.
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