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Art coreen: women washing their clothes and dressing themselves, and women doing their toilets and entertaining themselves. Prints by Sin Yun Bok (or Hyewon) (b. 1758). Hyung Pil Chun Collection
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Art coreen: women washing their clothes and dressing themselves, and women doing their toilets and entertaining themselves. Prints by Sin Yun Bok (or Hyewon) (b. 1758). Hyung Pil Chun Collection
JLJ4565497 Art coreen: women washing their clothes and dressing themselves, and women doing their toilets and entertaining themselves. Prints by Sin Yun Bok (or Hyewon) (b. 1758). Hyung Pil Chun Collection by Sin, Yun-bok (ca 1758-1813); Hyung Pil Chun Collection; (add.info.: Art coreen: women washing their clothes and dressing themselves, and women doing their toilets and entertaining themselves. Prints by Sin Yun Bok (or Hyewon) (b. 1758). Hyung Pil Chun Collection); Photo © Photo Josse
Media ID 25176830
© Josse / Bridgeman Images
Arrow Arrow Point Arrows Coreen Coreenne Femininity Hygiene Kree Laundry Linen Sea Bath Toilet Asian Asian Defensive Weapon Infantry Weapon
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EDITORS COMMENTS
This print titled "Art coreen: women washing their clothes and dressing themselves, and women doing their toilets and entertaining themselves" showcases the exquisite artwork of Sin Yun Bok (or Hyewon). The image is part of the esteemed Hyung Pil Chun Collection, a testament to the artist's talent and cultural significance. In this piece, Sin Yun Bok beautifully captures scenes from everyday life in 18th century Korea. The delicate strokes bring to life women engaged in various activities such as washing clothes, dressing themselves, and enjoying moments of leisure. The attention to detail is remarkable, with each figure exuding gracefulness and femininity. The composition also highlights elements of Korean culture through hairstyles, clothing styles, and even hygiene practices. It offers a glimpse into the lives of noblewomen during that era while showcasing their beauty rituals. The use of arrows throughout the artwork adds an intriguing element. Perhaps it symbolizes protection or defense against external forces that may threaten these peaceful moments captured by Sin Yun Bok. Overall, this print serves as a visual time capsule transporting viewers back to 18th century Korea. Its artistic brilliance combined with its cultural significance makes it a true treasure within the world of Asian art history.
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