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Round eaves-end tile in style of Todaiji, Meiji era (unglazed earthenware)

Round eaves-end tile in style of Todaiji, Meiji era (unglazed earthenware)


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Round eaves-end tile in style of Todaiji, Meiji era (unglazed earthenware)

FSG324864 Round eaves-end tile in style of Todaiji, Meiji era (unglazed earthenware) by Japanese School, (19th century); height: 32.9 cm; Freer Gallery of Art, Smithsonian Institution, USA; Freer Gallery of Art, Smithsonian Institution; Gift of Charles Lang Freer; Japanese, out of copyright

Media ID 22943822

© Freer Gallery of Art, Smithsonian Institution Gift of Charles Lang Freer / Bridgeman Images

Clay Roof


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EDITORS COMMENTS
This print showcases a remarkable round eaves-end tile in the style of Todaiji, Meiji era. Crafted from unglazed earthenware by the skilled hands of Japanese artisans in the 19th century, this exquisite piece stands at an impressive height of 32.9 cm. The intricate details and delicate craftsmanship evident in this tile are truly awe-inspiring. Its smooth clay surface bears witness to the mastery of its creator, capturing the essence of traditional Japanese architecture with grace and elegance. Displayed proudly at the Freer Gallery of Art, Smithsonian Institution in the USA, this invaluable artifact is a testament to cultural exchange and artistic heritage. Generously gifted by Charles Lang Freer himself, it serves as a bridge between different worlds and eras. As we gaze upon this photograph, we are transported back in time to an era where every building was meticulously adorned with such magnificent tiles. The roof's edge comes alive with these beautifully crafted pieces that not only serve practical purposes but also add aesthetic charm to any structure they adorn. Let us marvel at the ingenuity and skill displayed by these anonymous Japanese artists who have left their mark on history through their exceptional pottery work. This image reminds us that art transcends time and space; it connects us all through our shared appreciation for beauty and creativity.

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