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Extreme Unction, from the Seven Sacraments, 1638-40 (oil on canvas)
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Extreme Unction, from the Seven Sacraments, 1638-40 (oil on canvas)
1219596 Extreme Unction, from the Seven Sacraments, 1638-40 (oil on canvas) by Poussin, Nicolas (1594-1665); 95.5x121 cm; Fitzwilliam Museum, University of Cambridge, UK; eFitzwilliam Museum; French, out of copyright
Media ID 23085586
© Fitzwilliam Museum / Bridgeman Images
Ailing Anointing Deathbed Extreme Grief Grieving Neoclassical Pallor Pathos Practice Rite Rites Sacrament Sacraments Sick Sickly Unction Dying Monks Religious Orders
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EDITORS COMMENTS
This print captures the essence of Nicolas Poussin's "Extreme Unction, from the Seven Sacraments". Painted between 1638-40, this oil on canvas masterpiece showcases the artist's mastery in depicting religious and spiritual themes. The painting measures 95.5x121 cm and is housed at the prestigious Fitzwilliam Museum, University of Cambridge. In this poignant image, we witness a solemn scene unfolding within an interior setting. A French priest administers Extreme Unction, also known as Last Rites or Anointing of the Sick, to a sickly individual lying on their deathbed. The grief-stricken atmosphere permeates through every brushstroke as pathos fills the room. Poussin's neoclassical style shines through in his attention to detail and composition. The use of light and shadow adds depth to each figure present - from priests and monks to grieving family members who stand by with heavy hearts. The sacrament itself holds great significance in Catholicism as it provides comfort and spiritual healing for those nearing their final moments. This ritualistic practice is beautifully captured by Poussin's skilled hand, evoking emotions of both sorrow and hope. As we delve into this profound artwork, we are reminded of our own mortality while contemplating faith and spirituality. Poussin invites us to reflect upon life's fragility through his masterful portrayal of this sacred moment - a testament to his artistic genius that continues to resonate centuries later.
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