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Mato-Tope, a Mandan chief, engraved by J. Hurliman, published in 1839 (aquatint)
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Mato-Tope, a Mandan chief, engraved by J. Hurliman, published in 1839 (aquatint)
NBY332259 Mato-Tope, a Mandan chief, engraved by J. Hurliman, published in 1839 (aquatint) by Bodmer, Karl (1809-93) (after); 55.5x44 cm; Newberry Library, Chicago, Illinois, USA; (add.info.: illustration from Travels in the Interior of North America by Prince Maximilian of Wied; Four Bears (c.1795-1837); ); eNewberry Library; Swiss, out of copyright
Media ID 23378106
© Newberry Library / Bridgeman Images
Feather Headdress Lance Native American Indian North American Indian
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EDITORS COMMENTS
This aquatint print, titled "Mato-Tope, a Mandan chief" offers a glimpse into the rich cultural heritage of Native American tribes in the 19th century. Created by Karl Bodmer and engraved by J. Hurliman in 1839, this artwork showcases the remarkable craftsmanship and attention to detail that characterized the era. The central figure depicted is Mato-Tope, a prominent Mandan chief known as Four Bears (c. 1795-1837). Standing at an impressive 55.5x44 cm, this portrait captures his regal presence and commanding aura. Dressed in a sheepskin tunic adorned with intricate beadwork and feathers, he exudes traditional elegance. Mato-Tope's feather headdress further emphasizes his status within the tribe while symbolizing bravery and wisdom. In one hand, he holds a lance - an emblem of strength and protection for his people. Published as part of Prince Maximilian of Wied's book "Travels in the Interior of North America" this image provides valuable insight into Native American culture during a time when their way of life was rapidly changing due to European colonization. Preserved at the Newberry Library in Chicago, Illinois, USA, this print serves as both an artistic masterpiece and historical documentation. It invites viewers to appreciate not only its aesthetic beauty but also reflect on the resilience and diversity of indigenous cultures across North America.
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