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The social question. Illustration for Le Rire (colour litho)
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The social question. Illustration for Le Rire (colour litho)
2786391 The social question. Illustration for Le Rire (colour litho) by Flores, Ricardo (1878-1918); Private Collection; (add.info.: The social question. Satire on the establishment of the post of Ministry of Labour in the French Government. Illustration for Le Rire, 1 December 1906.); © Look and Learn
Media ID 23457398
© Look and Learn / Bridgeman Images
Le Rire Navvies Navvy Shovels Wokrker Working Class Caricatures Conversation Laborer Labourer Tradesman Tradesmen
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The Social Question - A Satirical Take on French Politics and Labor
EDITORS COMMENTS
. In this colorful lithograph print titled "The Social Question" artist Ricardo Flores captures the essence of a satirical illustration featured in Le Rire magazine on December 1,1906. The artwork humorously depicts the establishment of the Ministry of Labour in the French Government. Amidst a bustling street scene, caricatures of workers can be seen engaging in conversation while wielding shovels and other tools. The comic portrayal pokes fun at the newly appointed Minister of Labour, highlighting the amusing challenges faced by both politicians and laborers alike. With its clever blend of wit and social commentary, this cartoon offers a humorous critique on political dynamics and class struggles during that era. Through exaggerated features and scathing satire, Flores delivers a thought-provoking message about societal issues surrounding work and employment. As an iconic piece from Le Rire magazine, known for its satirical drawings, this artwork showcases France's rich tradition of political cartoons. It serves as a reminder that even amidst serious topics such as labor rights and government policies, there is room for levity through artistic expression. This print from Fine Art Finder allows us to appreciate not only the talent of Ricardo Flores but also provides insight into early 20th-century French culture and politics. It serves as a testament to how art can serve as a powerful tool for social commentary while entertaining audiences with its clever twists on reality.
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