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The Dilettanti Society, engraved by William Say, 1812 (mezzotint on paper)

The Dilettanti Society, engraved by William Say, 1812 (mezzotint on paper)


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The Dilettanti Society, engraved by William Say, 1812 (mezzotint on paper)

XYC289252 The Dilettanti Society, engraved by William Say, 1812 (mezzotint on paper) by Reynolds, Joshua (1723-92) (after); 50.2x37.1 cm; Yale Center for British Art, Paul Mellon Collection, USA; (add.info.: looking at a copy of Collection of Etruscan, Greek and Roman Antiquities by d Hancarville; featuring Sir William Hamilton; ); English, out of copyright

Media ID 12807923

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Academic Connoisseur Elite Erudition Grand Tour Group Portrait Intellectual Intellectuals Taste Regency


The Dilettanti Society - A Glimpse into the World of British Intellectuals and Connoisseurs

EDITORS COMMENTS
. This print captures a male group portrait that delves into the world of intellectuals, academics, and connoisseurs in 18th-century Britain. Engraved by William Say in 1812, this mezzotint on paper showcases Sir Joshua Reynolds' original painting titled "The Dilettanti Society". In this scene, we witness a gathering of erudite minds engrossed in their studies. The focal point is the esteemed Sir William Hamilton, an influential British diplomat and archaeologist known for his extensive collection of Etruscan, Greek, and Roman antiquities. He can be seen intently examining a copy of d'Hancarville's renowned "Collection of Etruscan, Greek and Roman Antiquities" surrounded by fellow members. The ambiance exudes sophistication as these intellectual elites engage in discussions about art history and classical culture. Their refined taste is evident through the presence of exquisite vases adorning the room. As they indulge in drinks together, one can sense their shared passion for knowledge and appreciation for beauty. This image offers us a glimpse into an era when education was highly valued among the upper echelons of society. It reflects the influence of grand tours undertaken by young aristocrats to broaden their horizons intellectually. Preserved at Yale Center for British Art as part of Paul Mellon Collection, this artwork serves as

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