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The Enormous Oak Tree is Cut Down, illustration from Kalevala compiled

The Enormous Oak Tree is Cut Down, illustration from Kalevala compiled


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The Enormous Oak Tree is Cut Down, illustration from Kalevala compiled

XIR180646 The Enormous Oak Tree is Cut Down, illustration from Kalevala compiled and edited by Elias Lonnrot (1802-84) (engraving) (b/w photo) by Alanen, Joseph (1885-1920); Private Collection; (add.info.: epic poem of life in the ancient far north; dwarf transformed into a giant to fell tree when challenged by Vainamoinen; ); Finnish, out of copyright

Media ID 12746100

© www.bridgemanimages.com

Chopping Cutting Nordic Stride


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The Enormous Oak Tree is Cut Down

EDITORS COMMENTS
captures a pivotal moment in the epic poem Kalevala, compiled and edited by Elias Lonnrot. This engraving, created by Joseph Alanen, transports us to the ancient far north where life unfolds amidst mythical tales. The scene depicts a dwarf who has been magically transformed into a giant as he takes on the challenge of felling an immense oak tree. With his powerful stride and axe held high, the dwarf-turned-giant embodies determination and strength. As we gaze upon this black-and-white photograph print from Fine Art Finder's private collection, we are drawn into the Scandinavian Nordic legend that inspired it. The image evokes a sense of awe and wonder at both the physical prowess of our protagonist and the sheer magnitude of nature itself. The enormous oak tree stands tall against an expansive landscape, its branches reaching towards the heavens while its roots delve deep into ancient soil. In this single frame frozen in time, we witness not only an act of destruction but also a testament to human resilience and resourcefulness. It serves as a reminder that even in challenging circumstances, individuals can rise above their limitations to achieve great feats. As we contemplate "The Enormous Oak Tree is Cut Down" let us reflect on our own ability to overcome obstacles and harness our inner strength when faced with adversity.

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