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Ecce Homo. 1st half 16th century (oil on wood)
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Ecce Homo. 1st half 16th century (oil on wood)
CUL4934205 Ecce Homo. 1st half 16th century (oil on wood) by Mostaert, Jan (c.1475-c.1555); (add.info.: By MOSTAERT, Jan (1470-1556)
Dutch school
Burgos. Provincial Archaeological Museum); AIC
Media ID 28650537
© AIC / Bridgeman Images
Appcultura Biblical Episode Burgos Campos And Paramos De Burgos Castile And Leon Chain Crown Of Thorns Cruelty Derision Disgrace Early Modern Era Ecce Homo Flemish Style Grimace Haarlem Humiliation Laughable Mocking Neerlanders North Holland Passion Renaissance Art Scepter Tunic Western Art Wood Material Aureole Bible Story Biblical Charcter Biblical Events Biblical Figure Biblical Scene Mostaert Prisoner
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EDITORS COMMENTS
This print showcases Jan Mostaert's "Ecce Homo" a masterpiece from the first half of the 16th century. Painted with oil on wood, this Dutch school artwork is currently housed in the Provincial Archaeological Museum in Burgos, Spain. The scene depicted is derived from the New Testament and portrays a biblical character known as Ecce Homo or "Behold the Man". The central figure stands before a group of people, wearing a vibrant red cloak that contrasts against his white tunic. His expression reflects both vulnerability and strength as he wears a crown of thorns upon his head. Mostaert's meticulous attention to detail captures every fold of fabric and texture of skin, bringing this Renaissance art piece to life. The Flemish style shines through in its rich colors and intricate brushwork. This painting evokes emotions ranging from derision to empathy, highlighting themes of cruelty, disgrace, and imprisonment. It serves as an important reminder of Christian beliefs while also showcasing the artistic brilliance prevalent during Europe's early modern era. Jan Mostaert's "Ecce Homo" continues to be admired for its historical significance and artistic excellence. This print allows viewers to appreciate every nuance captured by Rotger's lens without commercial intentions but rather as an appreciation for Western art at its finest.
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