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Rottingdean, St Margaret, Morris & Co. Edward Burne-Jones, The Virgin Mary, 1894

Rottingdean, St Margaret, Morris & Co. Edward Burne-Jones, The Virgin Mary, 1894


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Rottingdean, St Margaret, Morris & Co. Edward Burne-Jones, The Virgin Mary, 1894

3475798 Rottingdean, St Margaret, Morris & Co. Edward Burne-Jones, The Virgin Mary, 1894 by Burne-Jones, Edward Coley (1833-98); St. Margarets Church, Rottingdean, East Sussex, UK; (add.info.: Rottingdean, St Margaret, M&C, EBJ, The Virgin Mary, 1894); eAlastair Carew-Cox; English, out of copyright

Media ID 22727042

© Alastair Carew-Cox / Bridgeman Images

Aestheticism Arts And Crafts Pre Raphaelite


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> Animals > Fishes > C > Coley

> Arts > Artists > B > Edward Coley Burne-Jones

> Arts > Artists > Edward Burne-Jones > Pre-Raphaelite art

> Arts > Artists > Edward Burne-Jones > Victorian era paintings

> Arts > Artists > Edward Burne-Jones

> Europe > United Kingdom > England > East Sussex > Related Images

> Europe > United Kingdom > England > Sussex > Related Images

> Fine Art Finder > Artists > Edward Coley Burne-Jones

> Fine Art Finder > Artists > John Moyr (attr.to) Smith

> Fine Art Finder > Stained Glass


EDITORS COMMENTS
This print showcases the stunning stained glass window titled "The Virgin Mary" by Edward Burne-Jones, a renowned artist from the Arts and Crafts movement. Created in 1894, this masterpiece can be found at St. Margaret's Church in Rottingdean, East Sussex, UK. The image captures the intricate details of Burne-Jones' work, highlighting his exceptional talent for capturing ethereal beauty. The Virgin Mary is depicted with grace and serenity, her delicate features illuminated by the vibrant colors of the stained glass. This piece exemplifies the Pre-Raphaelite style that Burne-Jones was known for - a blend of romanticism and religious symbolism. The photograph itself is expertly taken by Alastair Carew-Cox, who skillfully captures not only the artistry of Burne-Jones but also the atmosphere within St. Margaret's Church. The play of light through the stained glass creates a mesmerizing effect on both its surroundings and those fortunate enough to witness it. As we admire this remarkable artwork through Alastair Carew-Cox's lens, we are transported back to an era when aesthetics were highly valued and craftsmanship was celebrated. It serves as a reminder of how art has always had the power to inspire and uplift our spirits.

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