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Stucco frieze at Acanceh, Mexico Black ink tracing and watercolour (w / c)

Stucco frieze at Acanceh, Mexico Black ink tracing and watercolour (w  /  c)


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Stucco frieze at Acanceh, Mexico Black ink tracing and watercolour (w / c)

3473744 Stucco frieze at Acanceh, Mexico Black ink tracing and watercolour (w/c) by Breton, Adela (1850-1923); Bristol Museum and Art Gallery, UK; (add.info.: Watercolour of stucco frieze at Acanceh, Mexico. Black ink tracing and watercolour. Figures 12-15, Full scale copy of this section not in the collection.
12 Young Maize god / God E as dancer (von Winning); Human figure, involved in blood sacrifice, holdi); eBristol Museums, Galleries & Archives; English, out of copyright

Media ID 23628448

© Bristol Museums, Galleries & Archives / Bridgeman Images

Mexican Mexico


FEATURES IN THESE COLLECTIONS

> Animals > Insects > Hemiptera > Black Scale

> Animals > Insects > Hemiptera > Mexican Black Scale

> Arts > Artists > Y > Art Young

> Arts > Dance

> Arts > Watercolor paintings

> Europe > United Kingdom > England > Bristol > Bristol

> Fine Art Finder > Artists > Adela Breton

> Fine Art Finder > Artists > John Lindsay

> Fine Art Finder > South & Central America & The West

> North America > Mexico > Related Images

> Popular Themes > Dance


EDITORS COMMENTS
This print showcases a stunning stucco frieze at Acanceh, Mexico. Created by Adela Breton in the late 19th century, this artwork combines black ink tracing and watercolor techniques to bring out the intricate details of the frieze. The Bristol Museum and Art Gallery in the UK proudly houses this masterpiece. The composition depicts figures 12-15 of the frieze, with a young Maize god or God E as a dancer taking center stage. This deity is portrayed in vibrant colors, exuding energy and vitality through his graceful movements. Surrounding him are other human figures engaged in blood sacrifice, holding various objects that symbolize their rituals. Breton's meticulous attention to detail is evident in every brushstroke, capturing not only the physical features but also conveying emotions and cultural significance. Through her work, she offers us a glimpse into ancient Mexican archaeology and its rich history. Although this particular section of the frieze is not part of Bristol Museum's collection today, it remains an invaluable piece for researchers and art enthusiasts alike. Its combination of watercolor and sketch techniques adds depth to our understanding of Mexican culture while showcasing Breton's artistic prowess. Overall, this print serves as a testament to Adela Breton's talent as well as an important artifact from Acanceh that continues to inspire awe and admiration centuries later.

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