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Thomas Chatterton receives a bowl of poison from Despair (pen, ink & wash on paper)

Thomas Chatterton receives a bowl of poison from Despair (pen, ink & wash on paper)


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Thomas Chatterton receives a bowl of poison from Despair (pen, ink & wash on paper)

XJF384074 Thomas Chatterton receives a bowl of poison from Despair (pen, ink & wash on paper) by Flaxman, John (1755-1826); Private Collection; (add.info.: Thomas Chatterton (1752-70) poet whose youthful suicide inspired Wordsworth and Keats amongst others; ); English, out of copyright

Media ID 12871075

© www.bridgemanart.com

Allegorical Figure Bedroom Depression Desperation Suicidal Teenager Tragedy Tragic


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EDITORS COMMENTS
In this print by John Flaxman, we witness a poignant moment in the life of Thomas Chatterton, the renowned poet whose tragic fate left an indelible mark on literary history. The scene unfolds within the confines of a dimly lit bedroom, where Chatterton finds himself at the mercy of Despair. With delicate pen strokes and intricate washes, Flaxman masterfully captures the essence of despair and desperation that permeates this image. A solemn-looking Chatterton is depicted as a young teenager, his face etched with melancholy and contemplation. As he reaches out to receive a bowl from Despair's hands, one cannot help but feel an overwhelming sense of foreboding. Chatterton's story resonated deeply with Romantic poets such as Wordsworth and Keats who were inspired by his untimely demise. This print serves as a visual testament to his profound influence on subsequent generations of writers. The symbolism embedded within this artwork speaks volumes about the themes that haunted Chatterton throughout his short life: depression, tragedy, and ultimately death. It serves as a haunting reminder of the fragility inherent in artistic genius and offers us a glimpse into the inner turmoil experienced by those who possess extraordinary talent. As we gaze upon this evocative portrayal, we are transported back in time to witness not only Chatterton's struggle but also our own capacity for empathy towards those tormented souls who have walked before us.

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