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The Baby House, number 9 from a series of etchings for the Art Union of London by the Etching Club

The Baby House, number 9 from a series of etchings for the Art Union of London by the Etching Club


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The Baby House, number 9 from a series of etchings for the Art Union of London by the Etching Club

XYC237819 The Baby House, number 9 from a series of etchings for the Art Union of London by the Etching Club (etching on India proof paper laid on wove paper) by Millais, John Everett (1829-96); 14.4x18.4 cm; Yale Center for British Art, New Haven, USA; Gift of Alan S. Fortunoff; English, out of copyright

Media ID 12746965

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Dolls House Sisters


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The Baby House, number 9 from a series of etchings for the Art Union of London by the Etching Club

EDITORS COMMENTS
is a captivating print that takes us back to the Victorian era. In this charming scene, we see two young girls engrossed in their imaginative play with a dolls house. The intricate details of the miniature furniture and decor are beautifully captured by John Everett Millais' skilled etching technique. The girls appear completely absorbed in their make-believe world, as they carefully arrange each tiny piece and create stories for their dollhouse inhabitants. Their expressions reflect pure joy and innocence, reminding us of the simple pleasures that childhood brings. This artwork not only showcases Millais' artistic talent but also provides us with a glimpse into Victorian society's fascination with toys and childhood pastimes. Dollhouses were highly popular during this time period, often seen as educational tools for young girls to learn about domesticity and social roles. The print's composition exudes warmth and intimacy, inviting viewers to reminisce about their own cherished moments spent playing with toys or engaging in imaginative play. It serves as a timeless reminder of the universal nature of childhood experiences across different eras. Displayed at Yale Center for British Art in New Haven, USA, this exquisite print is part of an esteemed collection donated by Alan S. Fortunoff. Its presence allows art enthusiasts to appreciate both its historical significance and aesthetic beauty while celebrating the enduring power of art to capture fleeting moments in time.

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