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Samson slaying the Philistines, 18th century (engraving)
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Samson slaying the Philistines, 18th century (engraving)
5617274 Samson slaying the Philistines, 18th century (engraving) by Scheuchzer, Johann Jakob (1672-1733); (add.info.: illustration from Physique sacree, ou Histoire-naturelle de la Bible, by Johann Jakob Scheuchzer (1672-1733), 1732-1737); Universal History Archive/UIG
Media ID 27996924
© Universal History Archive/UIG / Bridgeman Images
1737 Johann Jakob Scheuchzer Philistines Religious Art Samson Scholar Slaying C European Economic Community C European Union Histoire Naturelle Swissman
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This 18th-century engraving, titled "Samson slaying the Philistines" is a remarkable piece of religious art by Swiss scholar and artist Johann Jakob Scheuchzer. The print is part of his renowned work, Physique sacree, ou Histoire-naturelle de la Bible (Sacred Physics or Natural History of the Bible), published between 1732 and 1737. In this dramatic scene, we witness Samson's immense strength as he single-handedly battles against the Philistines. With muscular arms raised high above his head, he wields an animal jawbone as a weapon to defeat his enemies. The intensity on Samson's face reflects both determination and divine intervention. Scheuchzer's meticulous attention to detail brings this biblical tale to life. Every figure in the composition exudes energy and emotion through their dynamic poses and facial expressions. The artist masterfully captures the chaos of battle with swirling drapery and carefully etched lines that create depth and texture. As we admire this engraving, we are transported back in time to an era when religious narratives were frequently depicted in art for educational purposes. Scheuchzer's dedication to merging science with faith shines through in every stroke of his engraving tool. This print serves as a testament not only to Scheuchzer's artistic skill but also to the enduring power of biblical stories throughout history. It reminds us that even centuries later, these tales continue to inspire awe and contemplation within viewers
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