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Virgin of Mercy, detail of the central panel, c. 1429 (tempera on panel)
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Virgin of Mercy, detail of the central panel, c. 1429 (tempera on panel)
XIR167594 Virgin of Mercy, detail of the central panel, c.1429 (tempera on panel) by Mirailhet, Jean (d.1457); Musee d Art et d Histoire, Palais Massena, Nice, France; (add.info.: Vierge de la Misericorde. Painted for the chapel of the Confraternity of the Black Penitents, whose mission was to ensure a dignified burial for the dead.); French, out of copyright
Media ID 12736908
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Altarpiece Citizens Gown Maternal Mercy Protecting Protection Protector
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This print showcases a mesmerizing detail of the central panel from the "Virgin of Mercy" painting, created around 1429 by Jean Mirailhet. The artwork, made with tempera on panel, is housed in the Musee d Art et d Histoire at Palais Massena in Nice, France. The central figure depicted here is the Virgin Mary herself, known as the "Virgin of Mercy". This revered image was originally painted for the chapel of the Confraternity of the Black Penitents, an organization dedicated to ensuring dignified burials for those who had passed away. The Virgin's role as protector and her ability to provide mercy are beautifully captured in this piece. Dressed in an elegant gown that exudes grace and serenity, Mary stands tall with outstretched arms. She embraces a group of citizens beneath her protective mantle—a symbol of her maternal care and compassion. This portrayal reflects both devotion to Mary and belief in her power to intercede on behalf of humanity. The painting exemplifies elements from Renaissance art with its meticulous attention to detail and vibrant colors. It serves as an altar centerpiece that would have inspired deep reverence among worshippers during its time. As we gaze upon this remarkable print, we are reminded not only of Mary's significance within religious iconography but also how art can transcend time and connect us with centuries-old traditions.
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