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Death of Abelard, illustration from Lettres d Heloise et d Abelard

Death of Abelard, illustration from Lettres d Heloise et d Abelard


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Death of Abelard, illustration from Lettres d Heloise et d Abelard

XIR346162 Death of Abelard, illustration from Lettres d Heloise et d Abelard, 1839 (engraving) by Gigoux, Jean Francois (1806-94) (after); Bibliotheque Nationale, Paris, France; (add.info.: Mort de Pierre Abelard (1079-1142); Peter; Heloise (1101-64); scholastic philosopher; logician; theologian; Letters; correspondence; letter; Eloise; medieval; c12th; BN Imp Z 7238-39; priory of St. Marcel, near Chalon sur Saone; love affair; engraved by Charles Rambert (fl.1848-63); ); French, out of copyright

Media ID 12863016

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Abbot Breton Convent Deathbed Habit Hands Clasped Lying Monks Mourning


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EDITORS COMMENTS
This print titled "Death of Abelard" takes us back to the 12th century, immersing us in a tragic love story that has captivated hearts for centuries. The illustration is based on the famous correspondence between Heloise and Abelard, two renowned figures of medieval times. In this somber scene, we witness the final moments of Pierre Abelard's life as he lies on his deathbed in a priory near Chalon sur Saone. Surrounding him are monks and an abbot, their faces filled with sorrow and mourning. One monk kneels beside him, hands clasped in prayer, while others stand nearby paying their respects. The atmosphere within the room is heavy with emotion as everyone present contemplates the loss of a great philosopher, logician, and theologian. The engraving beautifully captures both the religious devotion and poetic essence that defined Abelard's life. Created by Jean Francois Gigoux in 1839 and engraved by Charles Rambert shortly after, this image transports us to a time long gone but forever etched in history. It serves as a poignant reminder of love's complexities and how it can shape destinies even amidst tragedy. As we gaze upon this artwork from Fine Art Finder's collection at Bibliotheque Nationale in Paris, France; we cannot help but be moved by its romantic undertones juxtaposed against themes of faith and mortality.

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