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Figure of Venugopala, South India, late Chola / early Vijayanagar period

Figure of Venugopala, South India, late Chola  /  early Vijayanagar period


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Figure of Venugopala, South India, late Chola / early Vijayanagar period

2560279 Figure of Venugopala, South India, late Chola / early Vijayanagar period, late 13th / early 14th century (granite) (see also 2560277-82) by Indian School; height: 119.4 cm; Private Collection; (add.info.: Carved in the round with Krishna holding the flute to his lips, wearing a short dhoti, the sacred thread encircling his body); Photo eChristies Images; Indian, out of copyright

Media ID 22260294

© Christie's Images / Bridgeman Images

13th 14th Chola Dhoti Flute Hindu Hinduism Krishna Sacred Thread Vijayanagar


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EDITORS COMMENTS
This print showcases the exquisite "Figure of Venugopala" from South India, dating back to the late Chola / early Vijayanagar period in the 13th or 14th century. Crafted out of granite, this remarkable sculpture stands at a height of 119.4 cm and is currently held in a private collection. The figure depicts Krishna, known as Venugopala, holding a flute to his lips with grace and elegance. Dressed in a short dhoti, he is adorned with the sacred thread that encircles his body, symbolizing his divine nature. This stunning portrayal captures the essence of Hinduism and its rich mythology. Carved intricately in the round, every detail on this statue reflects exceptional craftsmanship. The smoothness of the stone enhances Krishna's serene expression and highlights his divine aura. As one gazes upon this masterpiece, they are transported into an ancient world where gods walked among mortals. This photograph beautifully captures not only the physical beauty of this sculpture but also its spiritual significance within Hindu culture. It serves as a testament to India's artistic heritage and offers viewers an opportunity to appreciate its profound cultural legacy. With its historical value and aesthetic appeal, this image by Bridgeman Images invites us to delve deeper into Indian art history while marveling at the timeless allure of religious iconography.

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