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Grande Course au Clocher Academique, caricature of the Institut de France

Grande Course au Clocher Academique, caricature of the Institut de France


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Grande Course au Clocher Academique, caricature of the Institut de France

CHT218693 Grande Course au Clocher Academique, caricature of the Institut de France, 1839 (see also 218694) (colour engraving) by Grandville (Jean Ignace Isidore Gerard) (1803-47) (after); Musee de la Ville de Paris, Musee Carnavalet, Paris, France; (add.info.: ce document comprend deux versions; l une avec Victor Hugo sur un trone, l autre avec Eugene Sue; on reconnait entre eux Dumas pere, Balzac, Vigny; ); eArchives Charmet; French, out of copyright

Media ID 22381296

© Archives Charmet / Bridgeman Images

French Academy


FEATURES IN THESE COLLECTIONS

> Arts > Artists > B > Jean Beraud

> Arts > Artists > H > Victor Hugo

> Arts > Artists > P > Dumas pere

> Europe > France > Paris > Museums > Musee Carnavalet

> Fine Art Finder > Artists > Grandville (1803-47) (after)

> Fine Art Finder > Artists > Jean Beraud

> Fine Art Finder > Cartoons, Caricatures & Humour

> Humour > Cartoon


EDITORS COMMENTS
This vibrant and whimsical print titled "Grande Course au Clocher Academique" is a captivating caricature of the prestigious Institut de France. Created in 1839 by the talented artist Grandville, also known as Jean Ignace Isidore Gerard, this colourful engraving offers a delightful glimpse into the world of French academia during that era. The print showcases two versions of the race, one featuring Victor Hugo on a throne and the other with Eugene Sue. Amongst them, we can identify prominent literary figures such as Dumas pere, Balzac, and Vigny. Each character exudes their unique personality through exaggerated features and playful expressions. Displayed at Musee Carnavalet in Paris, France, this artwork captures not only the spirit of competition but also highlights the camaraderie among these celebrated intellectuals. The intricate details within each figure's attire and facial expressions add depth to this lively scene. As you explore this print further, it becomes evident that Grandville masterfully combines satire with artistic skill to create an amusing yet thought-provoking commentary on French society at that time. This piece serves as a testament to his ability to capture both humor and social critique within his works. With its historical significance and visual appeal, "Grande Course au Clocher Academique" remains an intriguing representation of 19th-century French culture and intellectual life.

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