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Grand Vizier Nevsehirli Damat abrahim Pasa, c. 1727-30 (oil on canvas)
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Grand Vizier Nevsehirli Damat abrahim Pasa, c. 1727-30 (oil on canvas)
3588445 Grand Vizier Nevsehirli Damat Abrahim Pasa, c.1727-30 (oil on canvas) by Vanmour, Jean Baptiste (1671-1737); 33.5x26 cm; Rijksmuseum, Amsterdam, The Netherlands; (add.info.: The grand vizier was the most powerful man behind the scenes of the Ottoman Empire. Under Sultan Ahmed III and Ibrahim Pasa, Turkeys prosperity was known as the Tulip Era.
); French, out of copyright
Media ID 22725972
© Bridgeman Images
Constantinople Grand Vizier Istanbul Kaftan Levant Moslem Oriental Orientalism Orientalist Ottoman Ottoman Court Sable Satin Tulip Era
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EDITORS COMMENTS
This print showcases the esteemed figure of Grand Vizier Nevsehirli Damat Abrahim Pasa, painted by the talented artist Jean Baptiste Vanmour. Created between 1727 and 1730, this oil on canvas masterpiece measures 33.5x26 cm and is currently housed in the prestigious Rijksmuseum in Amsterdam, The Netherlands. The grand vizier held immense power within the Ottoman Empire during his time. Serving under Sultan Ahmed III and Ibrahim Pasa, he played a pivotal role in shaping Turkey's prosperity known as the Tulip Era. This era was characterized by cultural flourishing and opulence. In this portrait, we see Grand Vizier Nevsehirli Damat Abrahim Pasa adorned in traditional Turkish attire befitting his high rank at the Ottoman court. His luxurious robes made of satin exude regality while his fur-lined kaftan adds an element of prestige to his appearance. Vanmour skillfully captures not only the grandeur but also the essence of orientalism prevalent during that period. The attention to detail is evident in every brushstroke, from the intricate patterns on Pasa's turban to his dignified expression. This painting serves as a testament to both Islamic culture and Ottoman history. It offers a glimpse into a bygone era when powerful men like Grand Vizier Nevsehirli Damat Abrahim Pasa shaped empires with their wisdom and influence.
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